In Automatica (recollection) I experimented with a new work method, trying to capture the immediacy of the creative impulse. Taking a cue from the forward-moving work process of calligraphy or watercolor, each piece was more or less through-composed…

counter)induction, featuring Benjamin Fingland, bass clarinet.

counter)induction

This piece is for solo viola. No electronics or processing were used. The fantastic technicolor performance is by Jessica Meyer.

counter)induction

counter)induction, featuring Benjamin Fingland, bass clarinet.

counter)induction