A downbeat ditty written and recorded in sixty continuos minutes. I actually have plans for this one, so stay tuned for revisions in the near future.

Written, recorded, and mixed in 24 hours. August 01-02, 2009, from 6am to 6am. Instrumentation: Two acoustic guitars, electric guitar (picked and bowed), fretless bass, about 7 different flutes, two tabla drums, rattles, tambourine, didgeridoo…

guitars, synths, tabla, tambourine, and elephants (the lead melody at around 01:40)

This song was made by two different piano samples (both from Sudara): 1. One was recorded by Sudara (and gang?) axing away at a hapless old piano in New Mexico. 2. today, I convinced Sudara to noodle on the piano and send it over to me…

Trance Psychedelic Club SK Infinity World Media http://skivamusic.com

I spent the day skrewing around with this Roumanian Minor scale again. I am really testing layered drums on this one, Toms mostly. There's a lot happening. Acoustic, Strat, Bass, 4 Juno tracks, and all kinds of percussion. Only a two chord change…

First post-24h tune. Music written and recorded throughout the day... and lyrics in the evening. WARNING: This one is another cliché romantic synth-pop tune; same *muse* as the last one.

Episode One: Sandbags allowed me to use his mad rhythms- see here for an explanation: http://alonetone.com/sandbags/tracks/my-name-is-harry-palmer Sudara lent me some samples of him playing chords from his new autoharp, an ebow against piano…

The psyche is a weird place, I'll just talk about it musically. The piece begins with the sounds of Sudara's autoharp, the weeping woodwind sounds of the clarinetist from Megafauna Lacrymosa , and a low kick-like percussive sound, which is…

yeah, unfinished.