mmi's listening history
03 – Meteorites. Written 2nd/3rd Feb. Recorded 3rd Feb.
Inspired by the film ‘Stardust’ where our hero meets a (literal) fallen star. The painful low vocals were particularly fun, and their emotional cracking was acting rather than the fact…
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02 – Falling Down Again. Written 17th/18th Feb. Recorded 17th/18th/19th Feb.
A slightly schizophrenic pop song, with a vocal section that also betrays me wanting to be a Beach Boy. Worryingly there is actually a red sticky trickle that seeps…
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01 – My Prayer. Written and recorded 16th Feb.
Paying homage to ‘Our Prayer’, the opening of SMiLE – the Beach Boy’s album that never was. An extended version of this song appears on ‘28 seconds later’, an album on which each song is exactly…
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I (Al) wrote this song way back, just before the start of the current Iraq war. But it comes back to my mind every time a politician utters words matching a regex something like /(capture and )?kill (Osama )?Bin Laden/. It happened to be Obama…
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Musical tribute to the ideas of Jane Jacobs (author of The Death and Life of Great American Cities) and Christopher Alexander (author of The Timeless Way of Building).
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This song was recorded illegally. Please don't rat us out.
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through the dead branches, through the dead branches
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I'm going to get all pretentious again and say this one is about the concerning strain of what I might call "religious modernist traditionalism" espoused by technological singularity fanatics (Ray Kurzweil) and authors like Neil Stephenson.
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I am concerned with the values of my generation.
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Original working title was something like, "And after six years I finally understood why they sing in the streets here, and could go home." It's sort of about anonymity in the modern city. If that sounds pretentious, that's because it is.
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