abstract noises - o yeah abstract music: I hear there is no known market for these actual creations... then again I am not looking to market them I guess there is no need for you to read this as well it just makes you think the sounds that these…
abstract noises - o yeah abstract music: I hear there is no known market for these actual creations... then again I am not looking to market them I guess there is no need for you to read this as well it just makes you think the sounds that these…
it's an adventure into the unknown..what is round that corner?....reminds me of those halcyon days back in distant youth..when all the doors were open and the slate was clean and clear..............
abstract noises - o yeah abstract music: I hear there is no known market for these actual creations... then again I am not looking to market them I guess there is no need for you to read this as well it just makes you think the sounds that these…
so yeah abstract music: I hear there is no known market for these actual creations... then again I am not looking to market them I guess there is no need for you to read this as well it just makes you think the sounds that these letters create.. I could do a complete symphony with words controlling what sounds your brain is thinking, Don't worry about the off button it will sound like this. lala meme mama moe and you get to pick the chorus part as you go
//aside//
was this in the right place here?
I feel like I'm aloft and tumbling wildly across vistas of 80's virtual reality grids as I'm listening to this like Tron meets a bad case of sunstroke. Nice use of pitch.
I like all the little micro-textures, this pulls my attention in different directions simultaneously, but keeps moving forward as a whole... kind of a strange experience.
That's an amazing experience when you take the time with it. I'm glad I did.
Gets really intense around 20 minutes in. Great work.
Did you ever see that film Melancholia?
something in semi-performance mode on a real piano recorded at the meb(medical education building) in October the fifteenth or ides of October 2012 at eleven fifty three before lunch, I was actually reacting to the people walking by and sorta…
I used to play piano for long long hours in the practice rooms at the college. just play like that. thanks for the compliment Chris I could of went on much longer but had a session to go to.
something in semi-performance mode on a real piano recorded at the meb(medical education building) in October the fifteenth or ides of October 2012 at eleven fifty three before lunch, I was actually reacting to the people walking by and sorta…
this ambish stuff is from a few years before 2007 when it was transferred to dvd.. the piano is being played in reaction to the sounds in the background and the "looks" and gestures given by the med students there in their lounge.
something in semi-performance mode on a real piano recorded at the meb(medical education building) in October the fifteenth or ides of October 2012 at eleven fifty three before lunch, I was actually reacting to the people walking by and sorta…
thanks, Wrinkled shirt, as what part of the idea that is going on is to use the signal static as a tool for sound development...and then filter it some..
this is just too good I have to give the machine's all the credits I did little more then guide them thru this landscapes in timeless experiential effects. I will have the big video that was cut up and layered here before effects soon to see…
remembers back in 1993? when I saw kurt do this.. don't make me repeat the tale about how I was one person away from him in the mosh pit, and he spit on me. LOL - I had to of talked about that someplace on the net..
thanks sister and Chris
@vaisvil I have them connected right now just they only work like that when they are interfaced with a midi program on the computer, otherwise they ignore one another. ?
this is a minor excerpt from a tape I made I am guessing that I had not uploaded this here yet but I could of at the other eee account that is now outdated. the longer full and remixed version will be uploaded soon.
this is a minor excerpt from a tape I made I am guessing that I had not uploaded this here yet but I could of at the other eee account that is now outdated. the longer full and remixed version will be uploaded soon.
ahhhhh I hear that now will fix that even though it is a single channel out .. I had mixed the channels and this was the right side selection post mix.
Here's a "live" thing, if it can be called that, if one performs in a public place and there's no audience, can you call it "live"...?
If you'd like to hear the rest of the set, go here:
http://soundcloud.com/breaking-light/sets/no-audience…
consider this a microcosm of the final work that might just happen ,, yes a complete Klingon Orchestrated Opera :) (feeling shameful that it was Chris's idea first.) (this is a mire raw example of an outproduced work.>
long ago when there was a "guitar electric" in my presence I recorded this and edited it in cubase, back when I used cubase, old and somehow interesting?
I have that problem from time to time the wave form is there it just does not work ,,, a few days ago it happened to a whole song of mine really upset me because I liked the sounds I had made..
Artist's description:
Music composed by Chris Vaisvil, Mike Barry, lyrics Chris Vaisvil. This was performed live and recorded on a reel to reel in a basement. Its over 20 minutes at 64kbps. Two electric guitars, keyboards, and drums. Our contribution…
long ago when there was a "guitar electric" in my presence I recorded this and edited it in cubase, back when I used cubase, old and somehow interesting?
This an improvisation in 17 notes per octave with layered software synthesizers. Specifically, various percussion ensembles, french horn, piano, and two synthesizers. At one point I forgot what in the world I was doing because I transposed the…
has the idea of a triad or circle of 9's possible here at 17 note octaves? (sorry about the difficult question but I don't have the direct control of 17 notes in equal temper right now.)
This an improvisation in 17 notes per octave with layered software synthesizers. Specifically, various percussion ensembles, french horn, piano, and two synthesizers. At one point I forgot what in the world I was doing because I transposed the…
are you mixing microtonal and macrotonals together? seems as if certain layers are tonal. like you are saying it might be better if the alien effects are continued.
here the microkorg is the "lead" while the supernova II does the "undertones" I am trying to sync the two in post producion ,,, some of the stuff from yesterday is sync but I used buzz modular synthesis to do that.
Comments on Newbold's stuff
Ewe this has a sinister after taste to it.
I like the static chaos placed against the more calm, flowing synth beneath.
enjoyed it man,dont mind about market,just create things like this
it's an adventure into the unknown..what is round that corner?....reminds me of those halcyon days back in distant youth..when all the doors were open and the slate was clean and clear..............
so yeah abstract music: I hear there is no known market for these actual creations... then again I am not looking to market them I guess there is no need for you to read this as well it just makes you think the sounds that these letters create.. I could do a complete symphony with words controlling what sounds your brain is thinking, Don't worry about the off button it will sound like this. lala meme mama moe and you get to pick the chorus part as you go //aside// was this in the right place here?
I feel like I'm aloft and tumbling wildly across vistas of 80's virtual reality grids as I'm listening to this like Tron meets a bad case of sunstroke. Nice use of pitch.
I like all the little micro-textures, this pulls my attention in different directions simultaneously, but keeps moving forward as a whole... kind of a strange experience.
Trippy, chaotic, bubbly, cosmic brew. Heady track... Hits the spot, I like it.
Great use of movement. It's almost more of a tangible thing than aural, if that makes any sense.
yep like nineteen min thirty seconds is where the intense stuff gets started.. :)
kind of space jam.good
That's an amazing experience when you take the time with it. I'm glad I did. Gets really intense around 20 minutes in. Great work. Did you ever see that film Melancholia?
it is like chewing at the sheets of rainbows looking for a way to the other side, when I am on the other side already.
I used to play piano for long long hours in the practice rooms at the college. just play like that. thanks for the compliment Chris I could of went on much longer but had a session to go to.
this ambish stuff is from a few years before 2007 when it was transferred to dvd.. the piano is being played in reaction to the sounds in the background and the "looks" and gestures given by the med students there in their lounge.
I've never heard you play something like this before - very nice!
liked you track a lot! Perreko
thanks, Wrinkled shirt, as what part of the idea that is going on is to use the signal static as a tool for sound development...and then filter it some..
In the state-OF-mind that I'm currently in, this sounds perfect. Deep.
this is... like being inside of a factory at night when the machines wake up and devise artifacts of their alien will.
Comments made by Newbold
thanks It was really fun too to make them. :)
remembers back in 1993? when I saw kurt do this.. don't make me repeat the tale about how I was one person away from him in the mosh pit, and he spit on me. LOL - I had to of talked about that someplace on the net..
sure!! I would love to hear what you can do with this. :)
thanks sister and Chris @vaisvil I have them connected right now just they only work like that when they are interfaced with a midi program on the computer, otherwise they ignore one another. ?
it is like playing to random computer musical notes. very well done.
centered :)
ahhhhh I hear that now will fix that even though it is a single channel out .. I had mixed the channels and this was the right side selection post mix.
This is slick duck stuff on that side of the cosmic static charges.
pretty very what it is. more what is that screeching?(love-it)more more screeching.
neat sweet something here just so effected it is bliss. sigh => more?
this leaves glitch itching ,,
gets pen ready to outline the opera's conceptual structures in skeleton form. yes pen is better then computer keyboard sometimes ,, don't know why.
As an experienced user I can find no other way to describe these mysteries. *channels more power through the broken lights to you*
soo sooooo cool:; this stuff is like very very real at times.
I have that problem from time to time the wave form is there it just does not work ,,, a few days ago it happened to a whole song of mine really upset me because I liked the sounds I had made..
reminds me of a mixture of such a variety of songs.
It is good to get this out to the web finally :)
has the idea of a triad or circle of 9's possible here at 17 note octaves? (sorry about the difficult question but I don't have the direct control of 17 notes in equal temper right now.)
are you mixing microtonal and macrotonals together? seems as if certain layers are tonal. like you are saying it might be better if the alien effects are continued.
here the microkorg is the "lead" while the supernova II does the "undertones" I am trying to sync the two in post producion ,,, some of the stuff from yesterday is sync but I used buzz modular synthesis to do that.