*Pilón* reveals a Cuban pattern, traditionally played on Timbales, but in this case on Jr. Congas & Congas (with gated reverberation and flanger effect). The rhythm of Pilón is based on the motions of pounding sugar cane. A new son reveals…

This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…

The chorus of this groove is in 5/4 and the verse in 9/4. You can hear me fall apart at the very end… guess I got worried. Lyrics: *Try not to get worried* *I am with you always* *Try not to get worried* *And don’t forget* *Simply…

Ah! My favorite Saint. Tuned Congas, glass-beaded shekere and bass cajon. 4/4. BPM? Heaven knows. Had the headphones blissfully off for this one.

Chris sent this track to me earlier today with the request that I add some percussion to it. I had something different in mind. After the first take I was afraid to return it to him, fearing that he would convert it to 23 edo or something…

I can only listen to Mustang Sally so many times. But Genghis has the most incredible tone. I can't keep my ears of it!

Well, I play this in Fokker 7-limit Just Intonation on the piano and I didn't attempt to try to sing as high as Robert. So that makes the vocals hard to nail right there. And I played it over many times the past 3 days and my voice got worn out…

....Here's an attempt for suggest fest over at Songcrafters.... live in the living room of In the ghetto which of course is nothing like the Nick cave version Orh suggested apart from the chords that is.....but hey!!! I'm trying over here.....

as its titled

Poetry, a Cubist’s View is a “mash” of Benjamin Smith’s Ben.improv.Jul.16.2013 on electric piano and a combination of Paul Mimlitsch’s bass clarinet and soprano clarinet improvisations: “71913bcimpx1?, “71913scimpx1?, and “71913scimpx2?. I added…