66 tracks by Norm

All of a sudden, Mercy. Just like that. Everything: Reefwalker Percussion: Norm Sound Bite: A bad-assed sage, who is very special to us. Etching: Bob Coronato read more
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Just another obscure saint. Not much known about him. Probably much more important and significant than any of us will ever realize. Oh, yeah, and then there is Saint Simon. Same thing for him. RIP Alex. 3 Congas, Vintage Bass Cocktail…read more
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Here's the original track.
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In case you are in the mood today to kick some ass with Mike and me. Congas, Vintage Bass Cocktail Drum, Bongos, and (of course) Cowbell. Concept=>Drive=>Plan=>Engagement. 6/8
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Music: Vaisvil Vocals/Lyrics: TheTwoRegs Percussion: Norm DEMOCRACY If I could ask for some calm please! Can everybody just settle down calm down please? You must vote to separate the wheat from the chaff. The wheat from the…read more
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Based on a Yoruba Obàtálá pattern, which I hope Greg doesn't find underhanded. Congas and cowbell. 4/4 160bpm.
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Cardboard box, congas, shekeré, kokiriko, no metronome.
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Ah! My favorite Saint. Tuned Congas, glass-beaded shekere and bass cajon. 4/4. BPM? Heaven knows. Had the headphones blissfully off for this one.
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I went over to Reg's place the other day and he sort of scared me. He was out on his deck, pitching butts and spilling gin that he couldn't afford. He was a mess and had a crazed look in his eyes. I could tell he was ruminating again about…read more
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The chorus of this groove is in 5/4 and the verse in 9/4. You can hear me fall apart at the very end… guess I got worried. Lyrics: *Try not to get worried* *I am with you always* *Try not to get worried* *And don’t forget* *Simply…read more
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I was thumbing a ride along a hot, deserted Caribbean road. When Steve pulled up in this vintage pre-war Chevy, I was very grateful. It just so happened he was heading to the same cantina I was, so we kicked back with a pitcher of mojitos…read more
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*Pilón* reveals a Cuban pattern, traditionally played on Timbales, but in this case on Jr. Congas & Congas (with gated reverberation and flanger effect). The rhythm of Pilón is based on the motions of pounding sugar cane. A new son reveals…read more
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This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…read more
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Conga improvisation. 4/4 ?bpm
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I hope he likes funk. 4/4 200bpm
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Merengues are fast arrangements with a 2/4 beat, originating from the Dominican Republic. The traditional instrumentation includes a "güira" (guiro), which is a percussion instrument that sounds like a scrapper. The Merengue güira is a cylinder…read more
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There are 3 styles of the Rumba Guáguánco pattern: this one originates from the Cuban province of Matanzas (to the east of Havana). “Rumba” is a Spanish term for a gathering of musicians, singers & dancers (what West Africans refer to…read more
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Chris sent this track to me earlier today with the request that I add some percussion to it. I had something different in mind. After the first take I was afraid to return it to him, fearing that he would convert it to 23 edo or something…read more
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The berimbau is a Brazilian instrument associated with Capoeira, which is a Brazilian art form that combines elements of martial arts, sports, and music. It was created in Brazil mainly by descendants of African slaves with Brazilian native…read more
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The island of Cuba was a Spanish possession for almost 400 years (1511-1898). The land-owning elite held social and economic power, supported by slaves, both indigenous and of South American and African descent, until slavery was abolished…read more
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