middle of side two of a tape made in 2002 more details after I get the tape out of the machine.. this is me on the supernova II os 1.4 the os before the upgrade. and on tape.. needs mixing but never did it.
I'm curious, was this scored or free form??
An epic piece, not a comfortable listen but compulsive with every nuance leading us to a different place. Bravo
A mashup with
Roger Sundström Guitar,Drum,Soundscapes,Livemixing
Carla J. Patterson (Once You Came To Stay)
James Bailey (Rad Beats)
Kavin Allenson (meditate)
Bill Newbold (TimeLabExperiments1)
Paul H. Muller (Woodbridge 2)
Chris Vaisvil…
this is the complete trip one workings goings ons at the unaltered record of the actual speed we did it at where as the longer version is slower and the first version trip one is a cut out from the reaper records... :)
so the sex trip was an experiment to see if ,,, these kinds of names for songs would change the amount of play the songs would get ,,, yep It sure did there was like zero hits on this song :( but that just goes to show that you can't fool the real musician with trivial pop names.. :) ok 000
really nice music I saw Kurt do this live back in 93.. I am liking the music sounds(guitars) as they seem better then your voice.. :) but I do think there is a nitch for your voice... probably in music you write.. your voice has the microtonal bend to it.. :)
Apologies to George but I love the song. Its shocking to find out that Paul and John rejected it until George dragged Eric to the studio one day. Imagine the White Album without this...
no effects of any type on this for good or ill.
did you get some pop's or skips in the beginning they are really not there.. it was my net connection and computer messing up but in the audacity playing they did not happen.. mmmmm ok
I found an old guitar at the flea-market that was 52 years old, it was in terrible shape, I cleaned off all the old black spray paint and discovered a wonderful old Kay guitar with rosewood back and gorgeous patina. as it sat in the corner waiting…
thanks for the comment these tapes I digitize are from the time between making 6hr video's and making 6hr dvd's so a usual 90 min tape is in a group of three or four together.
is that your voice talking about the old guitar? really nice guitar.
this is not like the velvet underground or even icy waters underground that is mentioned in an early Pink Floyd album --- I am liking the synthetic pitch bends in these- repeated rifts,, sorta.. nice noises...
something here. It took like a 17 minute recorded warm-up before this part of the record happened. so this is more or less the cream of the crop of three 8 and a half minute recordings. mmmhum
A dark trance/industrial/drone tune inspired by that bizarre feeling just before you really fall asleep, but after you're no longer quite awake. Being hunted by something too terrible to imagine, just beyond the edge of the shadows where you…
This is one of my more agressive industrial-ish tunes. There's also an orchestral version done by vaisvil; it should be somewhere in his gigantic list of tracks...I'll see if I can find it and post a link.
[edit]
Unfortunately, vaisvil doesn…
why did we migrate to this venue, but excellent tempting me to do an industrial work,.. but,.. well,.. i am suck in serial experimentations combinations and permutations aaaa i think, but yes I still like that industrial workings.
middle of side two of a tape made in 2002 more details after I get the tape out of the machine.. this is me on the supernova II os 1.4 the os before the upgrade. and on tape.. needs mixing but never did it.
This is an transcription of a piano improvisation I did with Andrew Heathwaite’s 12 of 31 edo meantone MODMOS scale which is called Meteoroid.
The tuning I used follows (in cents)
E:\cakewalk\scales\andrews12of31edo.scl
!
andrew’s 12 of 31edo…
Comments on now's stuff
this is straight performance mode with maybe an older tape mixed underneath the melody...
I need to listen to this in a darkened room with cans on to get the full effect. It sounds like a confrontation with some inner demons.
I'm curious, was this scored or free form?? An epic piece, not a comfortable listen but compulsive with every nuance leading us to a different place. Bravo
Comments made by now
The beginning has sounds that seen to be going around a corner mmm yes a square corner,..
so the sex trip was an experiment to see if ,,, these kinds of names for songs would change the amount of play the songs would get ,,, yep It sure did there was like zero hits on this song :( but that just goes to show that you can't fool the real musician with trivial pop names.. :) ok 000
snowflakes lead such hard lives.. :)
really nice music I saw Kurt do this live back in 93.. I am liking the music sounds(guitars) as they seem better then your voice.. :) but I do think there is a nitch for your voice... probably in music you write.. your voice has the microtonal bend to it.. :)
sort of good sorta liking the ending words think they should start the piece too but they are good at the end.
I can hear a close resemblance of Jean Michel Jarre but I am not sure what exact song? If you cant tell?,. let me know OK ;)
I am getting used to playing guitar thru and with the supernova II :)
Unless you appreciate ambient noise there should be no other reason to listen to this,...
you produced this so well ... it sounds like two different people .. very nicely made. yes, at this point the dual voice harmony is so good.
did you get some pop's or skips in the beginning they are really not there.. it was my net connection and computer messing up but in the audacity playing they did not happen.. mmmmm ok
thanks for the comment these tapes I digitize are from the time between making 6hr video's and making 6hr dvd's so a usual 90 min tape is in a group of three or four together. is that your voice talking about the old guitar? really nice guitar.
maybe stuff more like this ,, it seems kinda mellow compared to say Found Missing?
this is not like the velvet underground or even icy waters underground that is mentioned in an early Pink Floyd album --- I am liking the synthetic pitch bends in these- repeated rifts,, sorta.. nice noises...
why I can't make stuff like this anymore... I do not know do you?
really good here.
why did we migrate to this venue, but excellent tempting me to do an industrial work,.. but,.. well,.. i am suck in serial experimentations combinations and permutations aaaa i think, but yes I still like that industrial workings.
this is stretched out and split up and then layered in various differing degrees of left and right. :) thanks AMUC,, dreaming is optional
excellent stuff.. very minorish stylens ..
this is straight performance mode with maybe an older tape mixed underneath the melody...
very nice.