I gave myself a rough guideline that most songs should be between 30 seconds and 2 minutes long - this was both because I didn't want the album to be much longer than 45 minutes and because I knew there were going to be certain days when I wouldn…

Just before I made Feb.ZOIG, I made a noisy, experimental EP (Noisy Exploding Brain) and a minimal ambient one (Jack Shetland EP), and I think because of this, this album ended up as a mix of both styles. This song is the first one that ended…

Created entirely with vocal samples.

Once I created this beat, I knew I wanted to create kind of a Kraftwerk-ish early techno song with it.

This is actually another melodica-based track, you just can't tell due to excessive pitch-shifting.

Dan Deacon has a piece called "Drinking Out Of Cups" where he put a TV on mute and reacted to everything he saw as though he were a tough guy from New Jersey. I thought I'd do something similar, then use it as a sample source.

There is no Murdercat I, I just like titling songs as though they were horror b-movies. "Feline Doom" was an autocorrect for "Celine Dion" though.

The subtitle is because years earlier I did a totally different piece called "Ann (OMG)".

Another one of my fake bit pieces, composed entirely with pitch-shifted square waves.