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Transitional music from the soundtrack to The Green Fairy Cabaret, a joint production of the Philadelphia School of Circus Arts and the Philadelphia International Festival for the Arts.
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For an aerial ladder duo piece. My favorite creation from this show.
From the soundtrack to The Green Fairy Cabaret, a joint production of the Philadelphia School of Circus Arts and the Philadelphia International Festival for the Arts.
Uploaded
Transitional music from the soundtrack to The Green Fairy Cabaret, a joint production of the Philadelphia School of Circus Arts and the Philadelphia International Festival for the Arts.
Uploaded
For the fire-breather.
From the soundtrack to The Green Fairy Cabaret, a joint production of the Philadelphia School of Circus Arts and the Philadelphia International Festival for the Arts.
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For the hand-to-hand acrobatic duo.
From the soundtrack to The Green Fairy Cabaret, a joint production of the Philadelphia School of Circus Arts and the Philadelphia International Festival for the Arts.
Uploaded
Transitional music from the soundtrack to The Green Fairy Cabaret, a joint production of the Philadelphia School of Circus Arts and the Philadelphia International Festival for the Arts.
Uploaded
For the single-point trapeze solo.
From the soundtrack to The Green Fairy Cabaret, a joint production of the Philadelphia School of Circus Arts and the Philadelphia International Festival for the Arts.
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The song performed by the emcee to welcome the audience to the mysterious world of the show.
From the soundtrack to The Green Fairy Cabaret, a joint production of the Philadelphia School of Circus Arts and the Philadelphia International Festival…
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It's the title track for a reason.
From "All Of This", an album that grew from what I called the Fortnight Initiative - a project to create a new track every two weeks. Some of the results were wacky, but it was worth it.
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Written for one of my first aerial rope acts. The act was terrible, but the song is great.
From "All Of This", an album that grew from what I called the Fortnight Initiative - a project to create a new track every two weeks. Some of the results…
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Pretty much the title says it all.
From "All Of This", an album that grew from what I called the Fortnight Initiative - a project to create a new track every two weeks. Some of the results were wacky, but it was worth it.
Uploaded
All harmonics. Every note. The sound of sleep deprivation.
From "All Of This", an album that grew from what I called the Fortnight Initiative - a project to create a new track every two weeks. Some of the results were wacky, but it was worth it.
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Bassssss.
From "All Of This", an album that grew from what I called the Fortnight Initiative - a project to create a new track every two weeks. Some of the results were wacky, but it was worth it.
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People have different opinions about where the downbeat is in this one. What do you think?
From "All Of This", an album that grew from what I called the Fortnight Initiative - a project to create a new track every two weeks. Some of the results…
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Largely improvised, to get through some emotional times. You know, feels.
From "All Of This", an album that grew from what I called the Fortnight Initiative - a project to create a new track every two weeks. Some of the results were wacky…
Uploaded
At the time, my most ambitious track.
From "All Of This", an album that grew from what I called the Fortnight Initiative - a project to create a new track every two weeks. Some of the results were wacky, but it was worth it.
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I'd describe this one as my musical mission statement.
From "All Of This", an album that grew from what I called the Fortnight Initiative - a project to create a new track every two weeks. Some of the results were wacky, but it was worth it.
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Happy Halloween! A recital of an old nursery rhyme from Gammer Gurton’s Garland, 1784. Also titled: THE NURSERY PARNASSUS, A Choice Collection of Pretty Songs and Verses for
the Amusement of all Little Good Children
who can neither read…
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What happened to the colors of expression in the arts? I miss the 60's and 70's. Enough said.
Notes from my rock and roll music theory class...
Find a riff and milk it! Check .
Find a four chord bed of lettuce to put that wonderful salad…
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Another creepy Soundtracks for ghosts song.Hope you enjoy it!
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i started this song in may, finaly got it done. much too much going on in my life.
the big thing is i will be moving out of state. packing everyday and no longer have
any time nor access to my music or instruments. this one was done but sitting…
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From the album The House On The Borderline (2015).
Experiments with textures, partly inspired by Tudor polyphonic works (Thomas Tallis et al) some of which have been sampled on this album (albeit usually warped beyond recognition...).
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Last year I made ten songs which are called the Soundtracks for ghosts songs.This is one of them.Hope you enjoy it!
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Finally back with a new song.Thanks for listening!
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Just tried to train a little bit, dont know what happened with the quality.
You can sign to my blog for more stuff.
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I didn't realize how much time these school projects would take. I promise the new album will be posted as soon as I get a little free time to finish it.
Anyways:
The four movements are
Allegro 0:00
Adagio con rubato 4:02
Scherzo…
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Boy meets girl and folds like a lawn chair in a hurricane. She makes him want to be a better man. The End.
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Here is my contribution to the latest song writing challenge offered by the Minnesota Songwriters.
(Write a song using the topic: GLASS) Everyone is welcome to participate.
__________________________________________
STAINED GLASS…
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I've been listening to the band Torres a lot the last few days, really liking the noise texture underlaying the voice of Mackenzie Scott. This started as a lap steel piece in Mobius with 5 layers. I attempted to mix that down and it was missing…
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Runway Lights (in 128) was the solo I performed at Wake Forest University in Winston-Salem North Carolina on the 26th of September 2015. The recording you hear is from the University mics. The title is actually a misnomer – a mistake on my…
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