Written for Noel MacDuffie's dance theater piece, Soul Descending, this scene sees the widow Abagail mourning in her empty home, alone with her grief. In truth, this one was really more by nay-player Eran Glantz than me. Both performances…

Music written and played by Paul Ivany of Right to Asylum & I wrote and sang the vocals. In addition to being the second track from the 'Right To The Line' 2 track split we did, this track also appears on Right to Asylum's self titled album…

A fun little track that came out of an evening jam - this track spurred the idea for the 'Right To The Line' split we did (summer, 2009). Written as an instrumental with some help on the overdubs.

Trip hop track, may be listened as a soundtrack... As usual we tried to create a deep atmosphere with loads of melodies to give the listener a little journey full of new findings every time :) Anyway this time the BPM is a bit quicker : 87…

Tell me the truth.

Just something I wrote recently. Inspired by something I saw out running, and someone's Slashdot signature: "Computers allow people to make mistakes faster than any other invention, with the possible exception of handguns and tequila". I am…

www.dusthill.net BPM 86

This is one of several beat tracks for my new piece "Z-Land" for string orchestra, amplified string quartet, and DJ. The full piece will be performed by the Zeeland High School Orchestra (from Zeeland, MI) November 20 at the Baltimore City school…

A live gig recording.

this is a rockin version of an older song. sadly, this is about as balls-out rockin as i can get :)

so yeah, a love song.

you know you're hopeless when you think falling asleep on the couch is romantic...

The exquisite bass was performed by my friend Edo Castro, but everything else was done on a Waldorf XTk. In fact, originally the bass line was from an entirely other recording. What I did was to mute the other tracks and record all new ones…

Still under construction. Or maybe not. Bassline might be replaced by a real bass, maybe, and I'm not sure if I'll keep the Ableton Live softsynths as I may replace them with hardware. Maybe. I could just end up leaving it the way it is.

All sounds on the track are made with Synplant (from Sonic Charge).

Textures and burbling arpeggios by Waldorf PPG 2.V, non-burbling texture by Gforce M-tron and Arturia Minimoog V, madness by Sonic Charge Synplant.

Recorded early 2008. Prophet '08 (pulses, soft texture, melody line), Oberheim Matrix 6R (swirly textures).

This track is done on an Elektron Monomachine, recorded in one pass with no overdubs. The goal was to do a long, slow ambient piece which slowly built up and changed over time. What happened instead is that I made something that's somewhat eerie…