A chillaxed and noodling instrumental with just my acoustic guitar and a tad bit o bass.

Music for the credits of a film called "High Lonesome" by Andrew Hulse. I originally wrote this for guitar, viola, and double bass. In this new version, the lead melody is played by my wife on clarinet.

Ithaca College Percussion Ensemble with Dr. Spangler on turntables, December 2005. Scratches with Morton Subotnick's "Silver Apples of the Moon" and John Cage vinyl. Composition inspired by the glacier formation of the Finger Lakes of NY.

Wax cylinder recordings of waltzes chopped up and rearranged with saxophone improvisation by Brian Sacawa for Charm City Remix, an interactive audio walking tour of Baltimore by artist Kianga Ford.

This song was written after moving into a new apartment. One of the movers put a coin in the door hinge to keep the door open so that he wouldn't have to bother me for keys. I thought it was so cool and smart and sleek and simple. I wanted him…

bass is sampled from first second of Richard Marx's "Hold On to the Nights," which i'm extremely proud of.

Palimpsest: A Composition of Maps (an isentropic semaphore on the Name of Asmira Woodward-Page) is part of an ongoing series of soggetto cavato pieces the I have written, in this case on the name and at the commission of violinist Asmira Woodward…