A live gig recording.

This song is really two different but related songs which I merged together into one longer one, making it in a sense one song with two different moods. To me, both parts are somewhat wistful, somewhat regretful, and somewhat full of longing for…

This track is done on an Elektron Monomachine, recorded in one pass with no overdubs. The goal was to do a long, slow ambient piece which slowly built up and changed over time. What happened instead is that I made something that's somewhat eerie…

Recorded early 2008. Prophet '08 (pulses, soft texture, melody line), Oberheim Matrix 6R (swirly textures).

Textures and burbling arpeggios by Waldorf PPG 2.V, non-burbling texture by Gforce M-tron and Arturia Minimoog V, madness by Sonic Charge Synplant.

you know you're hopeless when you think falling asleep on the couch is romantic...

so yeah, a love song.

this is a rockin version of an older song. sadly, this is about as balls-out rockin as i can get :)

A live gig recording.

This is one of several beat tracks for my new piece "Z-Land" for string orchestra, amplified string quartet, and DJ. The full piece will be performed by the Zeeland High School Orchestra (from Zeeland, MI) November 20 at the Baltimore City school…

Just something I wrote recently. Inspired by something I saw out running, and someone's Slashdot signature: "Computers allow people to make mistakes faster than any other invention, with the possible exception of handguns and tequila". I am…

Tell me the truth.

A fun little track that came out of an evening jam - this track spurred the idea for the 'Right To The Line' split we did (summer, 2009). Written as an instrumental with some help on the overdubs.

Music written and played by Paul Ivany of Right to Asylum & I wrote and sang the vocals. In addition to being the second track from the 'Right To The Line' 2 track split we did, this track also appears on Right to Asylum's self titled album…

Arrsuarez came to Hawaii to write this song with me.

I used to be into interviewing folks I knew about anything and everything, just to get "good source" for audio experimentation. I was very much into making pieces using plain spoken voice, and was (and still am) very fascinated with the effects…

Six guitars playing live repeating patterns. In rhythm?