alonetone radio: Popular
Popular
jam-session on 25th of november 2008
james-vocal / michl-drums / supersteech-guitar / helmut-bass
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This one I might redo if I can ever find the spirit…
It wasn't that much work though, so it should be doable.
PS: Yeah that's me on the mic :-)
Part of “The big crash of '07” album. Which is a collection of mostly prototypes of songs that are…
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The idea behind the song was to create complete chaos you might find on a carnival. Flutes are my lifelong obsession.
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I'm a real fan of broken beat stretching, it makes all your samples raw as gravy. No wait. Phat as gravy, raw as uncooked crack.
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hi there people from all over the world I made whole day on this track and now it's done and I'd liek you to hear it. I'm kinda angray moody (troublin gf) maybe you can hear it in the track I used the Colors Acapella from Sean Kingston by street_boy_hood…
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Cover of the Brownie Song from musical Reefer Madness.
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phase one
blind son
blastbeat marching drum
chalk dust
blue bomb
hazy halo shake the wrong
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I started off playing around with the piano and I played a part that sounded to me like the world gone crazy. From there I just had fun and let lyrics come as them may I guess reflecting some of the things on my mind. I finished the song or at…
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This one is an ongoing project. It's my first submission here!
I hope you enjoy it!
Peace,
Doug
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Single from album, "Total Submersion" A little history on the Jacobite rebellion, with some analogue to today's political situation
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From the first Luna Trick CD, Total Submersion. I'm sure you can relate to this chance meeting with all its after effects!
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This is a song I wrote with Lisa Purdy (who sings the harmony vocal) about the experience of depression. Jim Bouchard plays lap steel - I'm playing/singing the rest.
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Recorded in June of 2004 for a "Summer" themed compilation album that never materialized.
I played acoustic and electric guitars, bass, lap steel and mellotron on this track.
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From the "Northville" project.
I played piano and mellotron on this.
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This is the title track of the never to be released album "Albatross".
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The second movement of "Duets For Synthesizer".
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I sang and played acoustic and electric guitars, bass, and Moog synthesizer on this track.
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It's pretty much about the same person all my songs as of late have been about.
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A story of loss. Partly based on events in my life recently but could be about anyone experiencing the loss of someone close to them.
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Sombre piano ballad with a twist. This is the most complete version of this song. Got the mix pretty much the way i wanted it.
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I'm usually over at MacJams but I thought I'd check out this site... nice interface! I'll describe this one as Rock and Roll.
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From our 2007 RPM Challenge album, "New Psychedelic Days."
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Second track for the 24-hour challenge. Trying to make visually interesting patterns in a piano-roll MIDI editor.
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Third and final track for the 24-hour challenge - long, but not long enough to get to 24 minutes, and not particularly listenable.
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This started from the idea of the sample which comes from a very old (deleted) audio book of the Wind in the Willows. The problem was that I had no idea what to do after laying down the beat, bass, and sample. I ended up dumping a crappy hand…
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I'm not kidding.
Just some improvised harmonica.
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Interpretation of New Zealand Pines by John Vanderslice.
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Interpretation of White Dove by John Vanderslice, with extra dialogue.
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Added some backwards guitar on Nitro's Xmas tune, local 4th grade added bg vocals.
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this was just a little doodle that was fun. someday i'll buy a mandolin and actually learn how to play it.
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this one has a guitar track. It gets lost in the mix in places (intentionally) but it's there. And a sample from butthole surfers "waiting for jimmy to kick". The clean bass track is too low but the master tape is currently missing. Oh well...
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For the 2008 Holiday Challenge - see http://www.sidedown.com/holiday/
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Cròniques d'en Joaquim Torner des de Copenhaguen per a ràdio Sabadell. Episodi 3
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this a blues tune I've been playing around with and last Saturday lyrics just starting popping in to my head. I did a demo of it. I'm going to try and flesh it out with some harmonica and bass. Thoughts on what else to do to it are welcome!
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This is my little society statement... who knows?
Enjoy!
Doug
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Preliminary version of the soundtrack accompany my most recent video experiment, a convoluted collage of appropriated material heavily distorted and blended together.
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The first installment of a series of reports I did for KUSC taking a closer look at the recording industry from a classical music perspective. A couple of experts weigh in on the state of affairs in the classical record industry. How bad are…
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The second installment of a series of reports I did for KUSC taking a closer look at the recording industry from a classical music perspective. A profile of the French/LA-based record label Harmonia Mundi.
Interviews with: Rene Goiffon (Harmonia…
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Second piece I did for the installation, one that was less altered and created more natural atmospheres.
Btw the cops came and got us, if thats not art success I dunno what is.
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This sound was originally scored with a video provided by our professor, and the piece was longer, however I feel after the point that I have abruptly cut here, it gets a little lost.
All sounds are recorded and manipulated.
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sometimes you don't even notice how high you are... or how stupid your voice sounds.
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just keep your chin up and fuck the rest of the world.
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Durning the recording of this it was 3 in the morning the fog had rolled in thickly and a fog horn was blowing. When I was monitoring the track I could hear the slow beat 6 bpm of the fog horn.
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originally a fast tempo tune, i started slowing it down to add variety. it's hit or miss really.
first you say, that you don't believe me
then you say, that you cannot trust me
then you say, that you can't forgive me
then you say that it…
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a song from a previous band (kill.pop.), i took the metal out of it and made it more dreamy. this is actually the 3rd version of this song that i've played.
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