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Runway Lights (in 128) was the solo I performed at Wake Forest University in Winston-Salem North Carolina on the 26th of September 2015. The recording you hear is from the University mics. The title is actually a misnomer – a mistake on my…
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I've been listening to the band Torres a lot the last few days, really liking the noise texture underlaying the voice of Mackenzie Scott. This started as a lap steel piece in Mobius with 5 layers. I attempted to mix that down and it was missing…
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Boy meets girl and folds like a lawn chair in a hurricane. She makes him want to be a better man. The End.
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I didn't realize how much time these school projects would take. I promise the new album will be posted as soon as I get a little free time to finish it.
Anyways:
The four movements are
Allegro 0:00
Adagio con rubato 4:02
Scherzo…
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Just tried to train a little bit, dont know what happened with the quality.
You can sign to my blog for more stuff.
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Finally back with a new song.Thanks for listening!
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Last year I made ten songs which are called the Soundtracks for ghosts songs.This is one of them.Hope you enjoy it!
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From the album The House On The Borderline (2015).
Experiments with textures, partly inspired by Tudor polyphonic works (Thomas Tallis et al) some of which have been sampled on this album (albeit usually warped beyond recognition...).
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Another creepy Soundtracks for ghosts song.Hope you enjoy it!
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What happened to the colors of expression in the arts? I miss the 60's and 70's. Enough said.
Notes from my rock and roll music theory class...
Find a riff and milk it! Check .
Find a four chord bed of lettuce to put that wonderful salad…
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Happy Halloween! A recital of an old nursery rhyme from Gammer Gurton’s Garland, 1784. Also titled: THE NURSERY PARNASSUS, A Choice Collection of Pretty Songs and Verses for
the Amusement of all Little Good Children
who can neither read…
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I'd describe this one as my musical mission statement.
From "All Of This", an album that grew from what I called the Fortnight Initiative - a project to create a new track every two weeks. Some of the results were wacky, but it was worth it.
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At the time, my most ambitious track.
From "All Of This", an album that grew from what I called the Fortnight Initiative - a project to create a new track every two weeks. Some of the results were wacky, but it was worth it.
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Largely improvised, to get through some emotional times. You know, feels.
From "All Of This", an album that grew from what I called the Fortnight Initiative - a project to create a new track every two weeks. Some of the results were wacky…
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People have different opinions about where the downbeat is in this one. What do you think?
From "All Of This", an album that grew from what I called the Fortnight Initiative - a project to create a new track every two weeks. Some of the results…
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Bassssss.
From "All Of This", an album that grew from what I called the Fortnight Initiative - a project to create a new track every two weeks. Some of the results were wacky, but it was worth it.
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All harmonics. Every note. The sound of sleep deprivation.
From "All Of This", an album that grew from what I called the Fortnight Initiative - a project to create a new track every two weeks. Some of the results were wacky, but it was worth it.
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Written for one of my first aerial rope acts. The act was terrible, but the song is great.
From "All Of This", an album that grew from what I called the Fortnight Initiative - a project to create a new track every two weeks. Some of the results…
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It's the title track for a reason.
From "All Of This", an album that grew from what I called the Fortnight Initiative - a project to create a new track every two weeks. Some of the results were wacky, but it was worth it.
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The song performed by the emcee to welcome the audience to the mysterious world of the show.
From the soundtrack to The Green Fairy Cabaret, a joint production of the Philadelphia School of Circus Arts and the Philadelphia International Festival…
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For the single-point trapeze solo.
From the soundtrack to The Green Fairy Cabaret, a joint production of the Philadelphia School of Circus Arts and the Philadelphia International Festival for the Arts.
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Transitional music from the soundtrack to The Green Fairy Cabaret, a joint production of the Philadelphia School of Circus Arts and the Philadelphia International Festival for the Arts.
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For the hand-to-hand acrobatic duo.
From the soundtrack to The Green Fairy Cabaret, a joint production of the Philadelphia School of Circus Arts and the Philadelphia International Festival for the Arts.
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For the fire-breather.
From the soundtrack to The Green Fairy Cabaret, a joint production of the Philadelphia School of Circus Arts and the Philadelphia International Festival for the Arts.
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Transitional music from the soundtrack to The Green Fairy Cabaret, a joint production of the Philadelphia School of Circus Arts and the Philadelphia International Festival for the Arts.
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For an aerial ladder duo piece. My favorite creation from this show.
From the soundtrack to The Green Fairy Cabaret, a joint production of the Philadelphia School of Circus Arts and the Philadelphia International Festival for the Arts.
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Written for a tightwire duo (I was on the wire as well) performed as part of a talk given at TEDxMidAtlantic, 2012.
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A new piece of drum n bass that's been coming together over the last few weeks.
This is a preview of the upcoming Cold EP which will include an extended version of Chilly plus some new tunes.
Twitter + Instagram: @thedanaxe
Facebook: /danaxemusic…
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From the album The House On The Borderline (2015).
Experiments with textures, partly inspired by Tudor polyphonic works (Thomas Tallis et al) some of which have been sampled on this album (albeit usually warped beyond recognition...).
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Mike is on the left – he passed on September 29th 2015
Year: 2009
Album:
foot prints in the sand (Track #3)
Artist’s description:
My friend Mike came over yesterday (in March of 2009) and we jammed for the first time in twenty years…
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Another dark ambient song.Experiment with some different sounds,etc.
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Sitting in the back of church..meditating,contemplating..Walking alone on a dark street..hiding or searching for something..
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This is how an artist on Tumblr described this song...: ‘turmoil’…i am walking down the aisle at midnight…ready to marry the son of satan…with an '80’s twist...
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A song of peace and comfort to to those who have lost loved ones.
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From the album The House On The Borderline (2015).
Experiments with textures, partly inspired by Tudor polyphonic works (Thomas Tallis et al) some of which have been sampled on this album (albeit usually warped beyond recognition...).
Uploaded