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Another creepy Soundtracks for ghosts song.Hope you enjoy it!
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What happened to the colors of expression in the arts? I miss the 60's and 70's. Enough said.
Notes from my rock and roll music theory class...
Find a riff and milk it! Check .
Find a four chord bed of lettuce to put that wonderful salad…
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Happy Halloween! A recital of an old nursery rhyme from Gammer Gurton’s Garland, 1784. Also titled: THE NURSERY PARNASSUS, A Choice Collection of Pretty Songs and Verses for
the Amusement of all Little Good Children
who can neither read…
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I'd describe this one as my musical mission statement.
From "All Of This", an album that grew from what I called the Fortnight Initiative - a project to create a new track every two weeks. Some of the results were wacky, but it was worth it.
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Largely improvised, to get through some emotional times. You know, feels.
From "All Of This", an album that grew from what I called the Fortnight Initiative - a project to create a new track every two weeks. Some of the results were wacky…
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Bassssss.
From "All Of This", an album that grew from what I called the Fortnight Initiative - a project to create a new track every two weeks. Some of the results were wacky, but it was worth it.
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All harmonics. Every note. The sound of sleep deprivation.
From "All Of This", an album that grew from what I called the Fortnight Initiative - a project to create a new track every two weeks. Some of the results were wacky, but it was worth it.
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Pretty much the title says it all.
From "All Of This", an album that grew from what I called the Fortnight Initiative - a project to create a new track every two weeks. Some of the results were wacky, but it was worth it.
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Written for one of my first aerial rope acts. The act was terrible, but the song is great.
From "All Of This", an album that grew from what I called the Fortnight Initiative - a project to create a new track every two weeks. Some of the results…
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It's the title track for a reason.
From "All Of This", an album that grew from what I called the Fortnight Initiative - a project to create a new track every two weeks. Some of the results were wacky, but it was worth it.
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For the single-point trapeze solo.
From the soundtrack to The Green Fairy Cabaret, a joint production of the Philadelphia School of Circus Arts and the Philadelphia International Festival for the Arts.
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Transitional music from the soundtrack to The Green Fairy Cabaret, a joint production of the Philadelphia School of Circus Arts and the Philadelphia International Festival for the Arts.
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For the hand-to-hand acrobatic duo.
From the soundtrack to The Green Fairy Cabaret, a joint production of the Philadelphia School of Circus Arts and the Philadelphia International Festival for the Arts.
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Transitional music from the soundtrack to The Green Fairy Cabaret, a joint production of the Philadelphia School of Circus Arts and the Philadelphia International Festival for the Arts.
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For a fabric act that closed out the show.
From the soundtrack to The Green Fairy Cabaret, a joint production of the Philadelphia School of Circus Arts and the Philadelphia International Festival for the Arts.
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Written for a tightwire duo (I was on the wire as well) performed as part of a talk given at TEDxMidAtlantic, 2012.
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Commissioned as a gift for a friend moving to a new city. The person who paid for the commission chose the title; I'm not sure I will ever know what it means.
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From the album The House On The Borderline (2015).
Experiments with textures, partly inspired by Tudor polyphonic works (Thomas Tallis et al) some of which have been sampled on this album (albeit usually warped beyond recognition...).
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Mike is on the left – he passed on September 29th 2015
Year: 2009
Album:
foot prints in the sand (Track #3)
Artist’s description:
My friend Mike came over yesterday (in March of 2009) and we jammed for the first time in twenty years…
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Another dark ambient song.Experiment with some different sounds,etc.
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