alonetone radio: Popular
Popular
The beginning of the song tells the story of a robot uprising, which segways into a somewhat catchy, but bizzare song.
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I tried to emulate the sound from one of my favorite eletronic albums, Aphex Twin's "Selected Ambient Works 85-92" I tried to recreate the deep, oceanic sound that he had in the whole album.
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Leave A Message is a song that features heavily distoried guitars, deep basslines and slowly changes from a happy song into a bit more of a melancholic tone
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A simple short beat, kinda sounds like something out of a video game menu screen.
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This is a parody of boys in the hood by easy E.
Its a song about the Green bay packers and the game with the lions on thanksgiving. This is just me havin some fun not tryin to sound like a pro but I wrote the lyrics in this song.
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and I sigh a psy-acid work @ 151 beets of beated beets
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slow and dronish start with the exciting inserts starting about minute ten to minute forty :)
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These tight and easy 151bpm beats just to show off for some reason like yeah I can do this but so what , ever.
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There’s a fire in your eyes
It burns, it bleeds
A raging wind inside
knocks me off my feet
You light up like a sunbeam
And you run through my bloodstream
All the time
Your light, it blinds
My sight, my eyes
I’m struck by lightning
You’re forked…
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This is a story of a female who drowns herself in the Moody River after cheating on her lover. Her lover goes to the oak tree where they met and finds a glove on the ground with a note stating why she did this. He stares into the muddy water and…
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The problem with drinking too much hootch. Commonly referred to as mountain dew.
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Inspired in part by some of the great pioneers of electronic music in the 1970s, Jarre, Tangerine Dream and others. Also a sort of tribute to one of my favorite authours, Stanislaw Lem.
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New AR track, really keen to get a great mix, so I'd be very grateful if you could let me know how it sounds on your speakers. I'm a bit unsure about the bottom end.
Any mastering tips?
Thank you!
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Featuring vocals by Katy Theodossiou. Although it isn't, it sounds alot like a bootleg version of a song. Has a really good lo-fi sound to it! Tell me what you think!
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Thanks Regs for making my crappy music in to great songs.
Enjoy!!!
Sunday morning and she’s gone
Sunday morning all day long
She’s gone
Now she’s gone I don’t feel a thing
I’m so happy i’m free again
She’s gone
She thought…
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Something i wrote and quickly recorded on Thanksgiving 2011. It will turn into something but it seems i must add two songs to make a playlist public? or something? i dont really know. but this is WIP, definitely.
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HAPPY
Happy is the anvil as the hammer strikes the blade
A fleeting spark that fades out as the memory is made
Happy is the spark when the hammer strikes the steel
Before the spit has sizzled into a vapor trail
And happy is the planner…
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From down deep in the cellar last night .....A jazzy number straight out of the box .........a noodle that got ad-libbed.......
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Electronic Dream #1 was made for the Internet Movie Project in 2002 that fell apart as I remember. All but the initial bright sweep which comes from the CZ-101 is from the Korg MS2000 analog modeling synthesizer. Excepting the Casio sample this…
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Written in 1989 and performed ever since by the Sluggos, this song was also covered by Split Lip Rayfield and appears on their album "Never Make It Home." The one song in my catalog that draws any royalties.
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This song is the only surviving track from a rock opera I wrote circa 1990. This recording was made by Mike Coykendall (currently playing with M. Ward/She & Him) at a May 1991 show at The Spot (RIP) in Wichita.
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A protest song of sorts, regarding Vulcan Chemicals' disregard for the environment. Recorded in 1991 on four-track cassette as part of the never-released "Banana Syndrome" album. I play and sing everything on this one — perhaps my first recorded…
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A lonesome tune from a lonesome time. Recorded in 1991 on four-track cassette as part of the never-released "Banana Syndrome" album. I played everything on this one.
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This song was composed spontaneously while the four-track rolled during a monumental LSD trip in 1991. The background vocals and backward percussion were added the next morning before sleep came.
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Written on Christmas, 1992, and recorded immediately onto four-track, this song was a gift. Midtown, Wichita.
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