In the distance, we can see the robots at work, and wouldn't you know, some of them are partying, too!

Finally, the ship is repaired and we resume our cruise through the cosmos. It was an adventure of a lifetime!

“The Everlasting” quick and dirty acoustic cover, with some awful singing. “The Everlasting” written by Bradfield/Moore/Wire, originally by Manic Street Preachers.

“Transient” was created and mixed on February 21-25, for the 2025 RPM Challenge. It is essentially a trance remix of "Homesick."

it's a sci-fi story

The RPM Experience – Prelude 120bpm Music and Words © 2025 by WGP ⎮ All Rights Reserved Composing, recording, programming and words by Thorsten Hürter & Jørn Erdmann This track was made in February 2025 especially for the RMP Challenge…

Radioactive Particulate Matter 118bpm Music and Words © 2025 by WGP ⎮ All Rights Reserved Composing, recording, programming and words by Thorsten Hürter & Jørn Erdmann This track was made in February 2025 especially for the RMP Challange…

Rhythm Passion Motion 120bpm This is our RPM Challenge 2025 submission Music and Words © 2025 by WGP ⎮ All Rights Reserved Composing, recording, programming and words by Thorsten Hürter & Jørn Erdmann This track was made in February…

Radical Pizza Machine 160 BPM Music and Words © 2025 by WGP ⎮ All Rights Reserved Composing, recording, programming and words by Thorsten Hürter & Jørn Erdmann This track was made in February 2025 especially for the RMP Challange 2025…

2025 RPM Challenge song idea number 16 becomes finished song number nine. This one is decent. I wanted a little bit of a head banger on acoustic guitar. It works on that level. Rhythm guitars are a Takamine F-400 S 12-string into a Shure…

Music and Lyrics by Sam Wells (c) 2025 An RPM project Lead Vocals - Felicia (Dreamtonics) Backing Vocals - Solaria (Eclipsed), Sheena (Dreamtonics) and Hayden (Dreamtonics) Verse 1: He wore my face, but his eyes were dead Like his…

I feel calm when it’s night Away from things that are bright Under the glow of the moon I’m happy If I could go back in time Take me to the 90’s that would suit me just fine I don’t like how things have turned out Since the tech bros…

Stop telling me things that are just made up Stop making it hard when it’s so easy Stop shoving marbles inside my mouth Stop making me over and over think it Get me out of my head Stop everything I need to get off this train of thought…

2025 RPM Challenge song idea number six becomes finished song number 12. I like this one. I thought about naming it "Hyperactive Zany" but thought better of it. The GarageBand drummer would have worked up quite a sweat if it were a real person…

It's a sick world we ya live in. And with the fulfillment of prophecies of endtimes unfolding, signs we can't miss, "We Call To You" takes our hearts back to Jah. #Jesussaves

I don't sing many songs: this one's a duet with Sarah, who _can_ hold a note. Piano sound from Verve (the plug-in, not the band). I like the affected sounds: like socks & nails stuffed in the wires. Wonky zither from Vital, drone from x…

With thanks to FBJ Matt [https://fatboyjamz.bandcamp.com/] for the title, which inspired the lyrics and overall intent. The vocals are largely from synths (I input the melody and lyrics, the synth -- Vocaloid in this case -- generates the tone…

If I'm being kind to myself, I'll say that I wrote this in a "through-composed" style. Truth is it probably required another verse etc., to nudge the song's story along and provide some semblance of structure. Instead, I was enjoying myself adding…

This song had been a "fragment" for a couple of years -- a state the befalls many an aspiring melodic doodle, sound design or chord cadence. This time, the glockenspiel melody that formed the initial draft had another iterative polish, together…

*Lyrics* Looking down at the scars Seeing bars on your window There's a beauty In the broken life I see Don't cover the tears Glory in your flawed story Scratch the surface To let it bleed Roll up your sleeves We choose to sing…

A mention to freesounds.org -- a hole full of rabbits and, um, a Portland Ferry. The ferry's foghorn makes an appearance on this track: a love song. Elsewhere there's the usual synthery -- including Vocaloid vocal synth -- plus some orchestral…