Last year I made ten songs which are called the Soundtracks for ghosts songs.This is one of them.Hope you enjoy it!

From the album The House On The Borderline (2015). Experiments with textures, partly inspired by Tudor polyphonic works (Thomas Tallis et al) some of which have been sampled on this album (albeit usually warped beyond recognition...).

i started this song in may, finaly got it done. much too much going on in my life. the big thing is i will be moving out of state. packing everyday and no longer have any time nor access to my music or instruments. this one was done but sitting…

Another creepy Soundtracks for ghosts song.Hope you enjoy it!

(c)2005

What happened to the colors of expression in the arts? I miss the 60's and 70's. Enough said. Notes from my rock and roll music theory class... Find a riff and milk it! Check . Find a four chord bed of lettuce to put that wonderful salad…

Happy Halloween! A recital of an old nursery rhyme from Gammer Gurton’s Garland, 1784. Also titled: THE NURSERY PARNASSUS, A Choice Collection of Pretty Songs and Verses for the Amusement of all Little Good Children who can neither read…

I'd describe this one as my musical mission statement. From "All Of This", an album that grew from what I called the Fortnight Initiative - a project to create a new track every two weeks. Some of the results were wacky, but it was worth it.

At the time, my most ambitious track. From "All Of This", an album that grew from what I called the Fortnight Initiative - a project to create a new track every two weeks. Some of the results were wacky, but it was worth it.

Largely improvised, to get through some emotional times. You know, feels. From "All Of This", an album that grew from what I called the Fortnight Initiative - a project to create a new track every two weeks. Some of the results were wacky…

People have different opinions about where the downbeat is in this one. What do you think? From "All Of This", an album that grew from what I called the Fortnight Initiative - a project to create a new track every two weeks. Some of the results…

Bassssss. From "All Of This", an album that grew from what I called the Fortnight Initiative - a project to create a new track every two weeks. Some of the results were wacky, but it was worth it.

All harmonics. Every note. The sound of sleep deprivation. From "All Of This", an album that grew from what I called the Fortnight Initiative - a project to create a new track every two weeks. Some of the results were wacky, but it was worth it.

Pretty much the title says it all. From "All Of This", an album that grew from what I called the Fortnight Initiative - a project to create a new track every two weeks. Some of the results were wacky, but it was worth it.

Written for one of my first aerial rope acts. The act was terrible, but the song is great. From "All Of This", an album that grew from what I called the Fortnight Initiative - a project to create a new track every two weeks. Some of the results…

It's the title track for a reason. From "All Of This", an album that grew from what I called the Fortnight Initiative - a project to create a new track every two weeks. Some of the results were wacky, but it was worth it.

The song performed by the emcee to welcome the audience to the mysterious world of the show. From the soundtrack to The Green Fairy Cabaret, a joint production of the Philadelphia School of Circus Arts and the Philadelphia International Festival…

For the single-point trapeze solo. From the soundtrack to The Green Fairy Cabaret, a joint production of the Philadelphia School of Circus Arts and the Philadelphia International Festival for the Arts.