second draft

Here is the solo dance version. It's rockin' pretty hard. I'm hoping to take this into a band setting at some point and get some brass involved, but for now...

in memory of Oswald Chambers

Drop-D is the dub project of producer/bass player Scott A. Meister living on Mt. Fuji where he also runs a Bed & Breakfast with his wife on Lake Yamanaka (a.k.a. Yamanakako). C-4 is a studio jam.

what is that a rhythm

This is just a base line for my song.. experimental !!

Another oldie as I work on other stuff. State of the art PC sound in 1991 was the Adlib card with one OPL2 FM synthesis chip w/o audio capability. Limiting as that was I still had a lot of fun with it. This is one example - I love that lo-fi…

As she fiddles with the folds in her skirt Her stare is off to unknown places out there While her gaze rests at the stain on her shirt Like a child, so oblivious, so unaware Her green eyes, her black hair, her pale skin, her dark stare Have wandered…

Solo improvisation with a 80s era Serge Analog Synthesizer. No editing, overdubbing, etc., all real time, mostly guided by the Serge listening to itself via a pitch and envelope follower and doing control voltage feedback, very little knob turning…

I want you to fling my ashes into the face of the person who annoyed me last....

ahhh...the pennsylvania hills

Another minimalist synth exploration, instrumental draft at this stage only...vox and percussion to be added.

I took the garageband file and opened it in Logic, and used automation to fade the tracks in and out.

new toy

This song and everything that came to play together, just sounded right for the name. Very Different.. Thanks for your imput... L.A.M.

Written from a improvisation the song gives me the sense of home and all it's comforts after a long time away.

third time's the charm...?

tax dirge

This is the feel good hip hop. i hope you all enjoy it as much as I do.

This solo studio dub jam was created and recorded in about 8 hours of play time one day. As usual, it starts with a simple drum machine track, then fretless bass, then keys, guitar, then a Balinese kecak drum and a tbilat drum and finally melodica…

There have been some discussions on the microtonal list about an isomorphic keyboard I have, the AXiS 49 (pictured above as I played it) and it reminded me I had not played it in a while. So I improvised 3 pieces on it in “selfless mode…

There have been some discussions on the microtonal list about an isomorphic keyboard I have, the AXiS 49 (pictured above as I played it) and it reminded me I had not played it in a while. So I improvised 3 pieces on it in “selfless mode…

Just a repeated chord progression. Using the Axe Fx.

I Don't Rate A Real Person Starring Steve Layton "Quick Jumps" and Kavin Allenson "Fumble" and a few of my phone messages.... I get no respect.

I have a lot of bad dreams about tornadoes. Techno

we had an idea for a song title and worked on something as morose as possible...

I played 12 string guitar and 5 string bass along with Norm's original percussion track http://alonetone.com/norm/tracks/7th-son. The only effects were a bit of attack shaping on the bass (compression w/o compressing). I did this kind of oddly…

This ia a newish track, from the forthcoming album PROJECT X [Malice In Sunderland Records, 2011 sometime].

The basics of this track were conjured up with a neat little programme called i2sm that converts photos or paintings into sounds [its free - google it]. The music here was generated by a photo of, yes, a Sunflower in an urban backyard.