B.E.T... Raw, Unrefined, Unadulterated, Organic, 100% Pure BeeOne... Made From The Best Ingredients On Earth. From BeeOne's Underground Debut "In My Opinion". Written, Performed and Produced by BeeOne for A BlackMan's Ent./HoodBizne$$ Music…

So I bought Logic 9 today as my birthday gift. I suppose I underestimated the transition pains. For instance, I seem to be unable to hear the click track in Logic. As opposed to how grating and over the top Live's click track seems by comparison…

This was made with a good friend of mine called Felix, I like the breaks very much, did it with Reaktor 5.

Longer and with a better ending. Deary deary, I am tired now ... Must rest!

Based on a true story. If you listen closely, you can hear me drop a half note over the course of the song. Apparently, I flounder without a pitch reference.

Music for a rainy late night in Minneapolis. This track went from conception to completion in a period of two hours late Thursday/early Friday, with the mixdown beginning at precisely 12:41:00 AM, August 14, 2009.

At this point I say a lot of thanks to Funspreader for the really great remix of 'Buona Notte'.

Suppose the lyrics say it all. A poet's brief dialog with inspiration. Instrumentation: Banjo Guitar Harmonium Greek Chorus 2 Clarinets

Once upon a time In a land far away I wrote something funny here But not today

It's from Berlin Dance Works -- music for modern dance. Dub, world.

just over three minutes of circular breathing (breathing in and out simultaneously) on the didgeridoo, a single take.

hey boy, the waters calm and glassy hey boy, the wind has died away hey boy, the sun is up and rising it's another, another perfect day hey boy, better grab your pail and shovel hey boy, and build your castle high hey boy, don't forget the moat…

here, this place, the magic is all around us feel, the breeze, carry away your sorrows feel, the sand, warm and soft beneath us see, the light, fading across the water another day slips away here, in paradise touch, the water, cool and wet…

what is this darkness now, blurring out my eyes can I hold this feeling before I'm lost in the night holding on together searching through the gloom who am I to blame now that we have lost the light not the sky, falling, not the moon, again not…

tall drink of water, short blonde hair flash you a smile like she just don't care sharp as a razor as right as rain ask me again and I'll tell you the same don’t forget her name, Melissa boys come running when she's around then she crushes a cigarette…

no I won't eat of the body, no I won't drink of the blood no I won't gather at the river, no I won't carry your burden no I won't bath in the glory, no I won't bath in the glory no I won't beg for forgiveness yes you will no I won't handle a serpent…

An ode to quarreling lovers everywhere. instrumentation: clapping drunken singers (3) clarinets (2) banjos (2) piano resonator bass harmonium

Haven't recorded anything in a while. Stuff busting to get out... Here's one of the ideas I'm playing around with.

James Brown and Planet Rock combine to form a mutant dubstep lovechild of a track

This was a 'bonus free download' from Berlin Dance Works/Stretch and Breathe Two (last year's work). More worldly dub, mixed on the fly, old style.

This is from Anima 91, a free download release that mostly featured re-workings of older tunes of mine... this was not 'old', but written in 2006 when it was recorded. It relates experiences I had in West Berlin during the 80s.

I'd just moved house, needed time off, sat with workstation and burbled a bit, ended up on Anima 91.

Music recorded 2005 then revisited (remixed?) for a dance score 2007 -- this is an excerpt from the middle section.

Who would’ve thought that the last 10 seconds would take me like an hour and a truck load of takes? And thank you Logic multi-take feature for allowing me to indulge so much time in something that was completely tangential to the song.

First things first... set your volume level to the first lightning strike that opens the track. Nothing is louder than this peak. That said, this is a collection of sound I recorded by putting the mic near the open window as a thunderstorm rolled…

Just a quick Bump for the DJ Sathen on RKoL. Also experimenting with Reaper's built in synth for fun. (For those who may not know: A 'bump' is the promotional "you are listening to.." parts a DJ plays between songs, and RKoL is the ShoutCast…

Frustrated with how slow my solo acoustic/vocal songs are going, I decided to spend the weekend making something chilled out, just to relax myself and to let people know I haven't died. Its a short instrumental track. I call this minimalist electronica…

I've always wanted to make a sexy song, I think couples need to get closer now, more than ever. We're only human with a spirit inside us...so lets all make the right choice:) All the vocals are my own and its one of the hardest songs I've ever…

Because everything is always more magnificent underwater

Episode One: Sandbags allowed me to use his mad rhythms- see here for an explanation: http://alonetone.com/sandbags/tracks/my-name-is-harry-palmer Sudara lent me some samples of him playing chords from his new autoharp, an ebow against piano…

You know that joke about the brick ambient synthesizer (http://possecrewensemble.com/as606/)? Yeah, I totally used that thing on this song.

This old piece was a first attempt at a soundtrack for a low budget thriller movie. I didn't end up scoring the whole thing, but I had a good time playing around.