This is a slow Aretha Franklin style blues.

This is a John Lee Hooker feel that is fun to dance to.

This song changes from jump blues to shuffle

This is a smooth R&B feel that I wrote for my wife. This one's for the lovers.

This is a heavy, dirty shuffle that I wrote after reading some pretty heavy stuff about the poor in the US.

I had a falling out with a long time friend when I wrote this song. It has a Ray Charles/Aretha Franklin gospel/blues feel.

This song is has an old school blues medium shuffle feel.

This is a jump blues instrumental.

This is a slow blues that was recorded live.

I have lived in Milwaukee for six years now and I felt I had to write a song for the city. This has a Muddy Waters feel with harmonica.

I wrote this song for a singer that used to be with the band. After you listen to it, you'll get a good feel for her. This is a Delta Blues feel.

I wrote this song after living in Milwaukee for awhile. The ghetto is a hard place to grow up and live. Things become normal there that shouldn't be normal. It's quite sad.

I was thinking about people who live in run down hotels when I wrote this song and had been listening to alot of Robert Cray at the time.

This is a jump blues with a surprise twist.

This is a minor blues about a hard breakup in the vein of Luther Allison.

This is one of the first funk tunes I wrote.

This is a hard shuffle.

This has a Delta/Muddy Waters feel to it and it was fun to record. The E stands for my daughter's name Ehlona and the A for my wife's name Amy and both the song and my home feel a bit like a train.

My bass player at the time really loved thick women and so I wrote him a song. It's him singing on this one.

This is a instrumental shuffle.

I wrote this for a friend of mine and every word is true. You should meet her.

This is the first version of the song we recorded with our original singer.

This song has a rock element and a latin jam at the end.

This is a Texas shuffle.

This song was written by the bass player and is a massage for the ears. This has a jazz/blues feel.

This is a John Lee Hooker feel that we just jammed on in the studio. I don't really like Gritz that much but the name seemed to fit.

This is the title track of this album. I wrote it about a girlfriend my friend had at the time. She was a bit of a gold digger. This is a shuffle with a Luther Allison feel.

This has got that southern blues thing going on.

I wanted to write a tradional blues with just accoustic guitar and so here it is. I think most people have that one person they wish they wouldn't of left or would of asked out. I know I do.

This is a nice T Bone Walker shuffle feel. This song, like all our albums, feature Rob Waters from the Lonnie Brooks Band.

This is a live recording from a club that had a studio built into it. Unfortuntately, the club shut down.

This is a live recording from a club that had a studio built into it. Unfortuntately, the club shut down.

This is a live recording from a club that had a studio built into it. Unfortuntately, the club shut down.

This is a live recording from a club that had a studio built into it. Unfortuntately, the club shut down.

This is a live recording from a club that had a studio built into it. Unfortuntately, the club shut down.

This is a live recording from a club that had a studio built into it. Unfortuntately, the club shut down.

This is a live recording from a club that had a studio built into it. Unfortuntately, the club shut down.

This was my last rpm2010 piece. i had recorded the rhythm track in early feb, and put the triple mandolin harmonies on at the very end of feb. i really love mandolin harmonies...this has more of a mediterranean vibe...

Original recording by Wip Ran Vinkle

A Dennis song.

A Kavin song.

A Dennis song sung by Paul.

A Glenn tune.

To me is very difficult to describe this song, but I like it.

A Dennis song. Thanks to Mike for playing Drums.

From the Himitsu jam sessions. Electronic punk jazz or almost anything else. A group of 3 to 5 musicians meeting weekly to just play. All improvisation, no planning or themes, just what you bring. Kaos Pad twisted vocals run beneath this heavilly…

From the Himitsu jam sessions. Electronic punk jazz or almost anything else. A group of 3 to 5 musicians meeting weekly to just play. All improvisation, no planning or themes, just what you bring. Our guitarist led this 5 player piece, though…

From the Himitsu jam sessions. Electronic punk jazz or almost anything else. A group of 3 to 5 musicians meeting weekly to just play. All improvisation, no planning or themes, just what you bring. This one's a three piece set, after the keyboard…

two quotes off some TCM-movie and an edited Lady Gaga interview pretty much make up the vocal portion of the track. the rest was born from the fat beats i started out with.

From the Himitsu jam sessions. Electronic punk jazz or almost anything else. A group of 3 to 5 musicians meeting weekly to just play. All improvisation, no planning or themes, just what you bring. Heavy use of Kaos Pad and vocoders, as a…

Inspired by a series of springs in the Hill Country, that are said to be so full of life that you can even see the ghosts. Or if you know the right time, the hummingbirds. A recent composition using samples and FS1R.

I tried to utilize the swelling of sound that can be created with a guitar to re-create the atmosphere around me (its been rainy all day, with some thunder in the background). This piece is semi improvisational, in that none of it was planned…

A Kavin song.

A Dennis song.

A Glenn instrumental. Slide gtr, Kavin.

A Dennis song.

A Kavin instrumental. Ross on flute.

Well, the truth is I run a little hot. I think maybe all artists do. Creative fire is creative fire. Sorry about the vocals here, this is the scratch track, didn't have time to lay down the real thing before the clock struck twelve and I turned…

I know, I know, this one is so unlike all my other stuff. It's hard to believe a raggedy road warrior has this kind of thing in him, but, it's true. I used to wander the wild lands of the west, the red buttes and the lonesome peaks. In my dreams…

Jonathan Thomas

This is an instrumental intro that never found a home, I named it after a poster we had in our old rehearsal room.