I wrote this song for a singer that used to be with the band. After you listen to it, you'll get a good feel for her. This is a Delta Blues feel.

I wrote this song after living in Milwaukee for awhile. The ghetto is a hard place to grow up and live. Things become normal there that shouldn't be normal. It's quite sad.

This is a gospel blues feel that evokes the emotion of the title.

I was thinking about people who live in run down hotels when I wrote this song and had been listening to alot of Robert Cray at the time.

This is a jump blues with a surprise twist.

This is a minor blues about a hard breakup in the vein of Luther Allison.

This is one of the first funk tunes I wrote.

This is a hard shuffle.

This has a Delta/Muddy Waters feel to it and it was fun to record. The E stands for my daughter's name Ehlona and the A for my wife's name Amy and both the song and my home feel a bit like a train.

I wrote this song for my cousin. She has had a lot of problems in her life and I still worry about her.

My bass player at the time really loved thick women and so I wrote him a song. It's him singing on this one.

This is a instrumental shuffle.

I wrote this for a friend of mine and every word is true. You should meet her.

This is the first version of the song we recorded with our original singer.

This song has a rock element and a latin jam at the end.

This is a Texas shuffle.

This song was written by the bass player and is a massage for the ears. This has a jazz/blues feel.

This is a John Lee Hooker feel that we just jammed on in the studio. I don't really like Gritz that much but the name seemed to fit.

This is the title track of this album. I wrote it about a girlfriend my friend had at the time. She was a bit of a gold digger. This is a shuffle with a Luther Allison feel.

This has got that southern blues thing going on.