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Frankenstein Sound Lab's avatar
From the RAWHEAD & BLOODYBONES album
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the owl and the octopus's avatar
Diddley bow improvisation recorded on an old reel to reel.
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arcuet's avatar
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badjuju's avatar
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quill's avatar
Another little tune-sketch from your ever-incomplete but always searching friend, Quill.
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jaybudhraja's avatar
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jeremy444's avatar
Hey everyone! If you missed the service this week, you can listen to it here.
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Pablo Pax's avatar
Sticky, remember Homer guarding the Sugar, warm climate, plenty of yoghurt, let's not be guilty of indulgence. I have no idea what this means, you decide.
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Sandy Gritt's avatar
This was more of an experiment that somehow worked it's way into a song.
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Frankenstein Sound Lab's avatar
This, folks, is the very first Frankenstein Sound Lab track, all the way from 2000 - pre-computer days, this was recorded on an ordinary cassette recorder. Listening to it prior to posting, I think it actually stands up quite well today.
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vaisvil's avatar
not nearly as nice as the original http://alonetone.com/richardlaceves/tracks/piano-moment-7 nonetheless I'm hopelessly in love with the flatted 5th theme.
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recessionporn's avatar
got behind...
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recessionporn's avatar
do the italo disco
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recessionporn's avatar
a bit dramatic
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James Michael Taylor's avatar
Marian is my favorite fiddle player after Itzhak Perlman. She and I wrote this song about her feeling of her Dad's presence when she plays and people listen. MARION'S SONG A puff of smoke when her violin broke A look that just said, "I…
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rinyville's avatar
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jaybudhraja's avatar
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Mannequin Races's avatar
This song goes all the way back to my roots of writing music mostly on acoustic guitar and recording/playing all the instruments myself. Also my first 'proper' recording in my new studio space. Thanks for listening! (lyrics) Awake me from my…
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Under Wildlife's avatar
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catandcage's avatar
A composition written backwards. I started with the relative harmony/coherence of the final measures and retrogressively dismantled it, concluding with the relative chaos of the opening.
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