Jesus looks at why the Jews and Pilate rejected Jesus as King

burn burn BURN. this song takes us back to our flok rock roots. rythym guitar is strong, and severely off centre. Vocals are Jupiter Summit doing her best to entice the paper-cut out into an office space fracas. It's about spending too much…

our 2010 entry for the RPM Challenge. members included: Minibar Madness - sound effects & noise, Commoner - Amplifier worship, pedals, electrical guitar, The Chaos Council - MicroMoog , alto sax, effects, Tone the Destroyer - violin &…

All sounds on this were originally played on a cheap battery operated keyboard.

I was thinking about unlikely superpowers one day for some reason, and just came up with this weird little story that I then decided to set to music. One Kilometer Per Year was almost this album's title.

More ambient music based around my cheap battery operated keyboard. I was trying for the sort of song that might turn up in an enchanted forest in an 8-bit RPG.

The good ol' battery operated keyboard again, this time with some whistling.

This song is mainly toy accordion, so I couldn't resist the pun.

I personally wasn't that happy with how this turned out, but to me when it comes to RPM albums there should be no such thing as outtakes.

This is supposed to be sort of annoying, I swear.

If you've ever played the pretty good but questionably translated X-Men arcade game, you should recognize this title.

Like "Neon Orange Dinosaur" this is a track that I think would make a pretty good hip-hop beat.

A pretty little ambient loop I might go back and expand into something else someday.

One of a few songs on the album where the percussion is a loop of myself hitting my computer desk with my hands. I think I got a nice hypnotic vibe going with this one.

One of a few pieces composed on a battery operated toy keyboard that I nicknamed the Powersockey, due to the fact that the power socket was labeled that.

I'll admit I completely ripped off the rhythm of "Closer" by NIN here.

Possibly my personal favorite of everything I've written so far. I will admit that I can barely play guitar and this is the result of a lot of looping and editing.

My attempt at one of Amelia's (The Missed Connections) songs. I think I darkened one of her few upbeat sounding songs.

HE'S RIGHT BEHIND YOU. We thought this instrumental was just dying to be in a horror flick. The producers went with DMX instead. Really? up in here?