[Intro] Well hello there, let me tell you today about a personality that I come across Actually, it’s more like a device type, yes, device type So without further ado, let me tell you about this device type [Verse 1] Show me an aggressive…

samples “Oh, but on the Third Day (Happy Feet Blues)” by Wynton Marsalis [Verse] I’m responsible, I'm stacking my money, y’all, mountain tall But these landlords are assholes and they want it all It’ll be alright but you must learn like…

(samples music from "Flavor of the Weak" by American Hi-Fi, interpolates music from "Mirror" by Lil Wayne featuring Bruno Mars, and interpolates lyrics from "Landslide" by Fleetwood Mac) [Verse 1] When you disparage the person, you care for…

(samples music by Scottie Royal and interpolates lyrics by SkyBlew) [Intro] I done been around the world in my sleep Relief in these dreams, I leap without making a peep And now they try to find me likely in the stars With the clouds behind…

(interpolates lyrics from "Flavor of the Weak" by American Hi-Fi and "Speak My Mind" by O'hene Savant) The blessed time The best place to start is now The best way to start is to move your feet on the ground And I could talk days about how…

A song based on... or at least the title of, the 1982 Indonesian horror film Pengabdi Setan aka Satan's Slave. I'll admit that I have not seen the film (yet) and I'm 100% sure there is nothing other than the title but I'm writing songs for each…

Tim - guitars, voices, and other noises Marz - vocals and lead guitar Megan Kleven - backing vocals Marz and I have know one another for over ten years now, but we've never actually recorded anything where we sang together until now. We…

Tim played and sang everything Another cover for the May 30 Day Songs project (https://30daysongs.com). This has always been one of my favorite songs and I saw that Ben Kweller's album "Sha Sha" is turning 20 this year. I needed a b…

I was thinking about how powerful, yet tenuous and fragile memories are. I have no idea why I’ve been fixated on this, Once there are no memories of you, you just don’t exist anymore. Yet, while people still remember you, it’s almost like a version…

Just a thing I wrote kind of about perception.

A mashup of Dubstep and Jug Band music. I think I offended my own sensibilities.

When I wrote this, I felt as if some havoc was looming nearby. There was an itching, crawling impression that at any moment I could become yet another casualty of the omnipresent "SMITE" button. Perhaps I wrote this as sort of a musical talisman…

Good clean fun. A sort of retelling of what rehearsals were like for the band I was in while I was in music school.

This is what my brain hears when I suddenly wake up at 1:30AM.

Until the fog lifts, you never know what's down there.

A song about a friend who sadly left our music community last month. It's made using a drone from my new Ovum synth and playing some chords over it. I hope it's reflective and sad.

Leum dropped off these lyrics at the April REM Challenge recording session, to see what other folks would do with them. At the first May recording session, we scanned through the lyrics and decided to try to put them to music. Robbie had a couple…

Manifest Manners is a book written through interpretation. It is a translation of reality into colonial English. Vizenor demonstrates trickster hermeneutics by employing definitions in multiple dimensions at once. To thoroughly diagram the web…

A presence is implied in an absence is implied in a presence. Beyond that circular comparison, Vizenor's absence and presence bear meaningful comparison to Silko's dichotomy between people who practice distinction and subtlety and those who minimize…

Narrative chance is the fourth of four postmodern conditons invigorating the critique and discourse of native and postindian lit. One of Vizenor's many dichotomies. Irony plays a major role in understanding how the colonizing mindset views civilization…