hey theres no music behind this just vocals

This is my acoustic version of How Many Licks by Lil Kim.

Somewhat of an older track of mine, and maybe the first thing I did where I really thought I was onto something good.

I might go back and do an expanded version of this someday. Despite the title, I think it works nicely as an ambient piece.

Based around an anonymous little kid's unique rendition of "Old MacDonald Had A Farm". Tom Meade contributed a recorder loop here.

Originally written for songfight - it got no votes and decidedly mixed reception on their forums, but I really ought to try my hand there again sometime.

Originally conceived as a contribution to remix fight, but I missed the deadline and it ultimately didn't use much of the source material anyway. Disclaimer: Quetzalcoatlus does not condone drug use.

Composed in digital performer for a course in computer music. Some of the presets reminded me of Kraftwerk, so I thought I'd attempt something in that style. "The doom house" was my sister's nickname for her place of residence at the time.

I was pretty much trying to be The Field with this one.

Jesus looks at why the Jews and Pilate rejected Jesus as King

burn burn BURN. this song takes us back to our flok rock roots. rythym guitar is strong, and severely off centre. Vocals are Jupiter Summit doing her best to entice the paper-cut out into an office space fracas. It's about spending too much…

All sounds on this were originally played on a cheap battery operated keyboard.

I was thinking about unlikely superpowers one day for some reason, and just came up with this weird little story that I then decided to set to music. One Kilometer Per Year was almost this album's title.

More ambient music based around my cheap battery operated keyboard. I was trying for the sort of song that might turn up in an enchanted forest in an 8-bit RPG.

The good ol' battery operated keyboard again, this time with some whistling.

This song is mainly toy accordion, so I couldn't resist the pun.

I personally wasn't that happy with how this turned out, but to me when it comes to RPM albums there should be no such thing as outtakes.

This is supposed to be sort of annoying, I swear.