Playing around with instruments, mainly piano and guitar. I really had fun trying out different distortion on the guitar parts to give it that warm fuzzy feeling. I kind of envision someone walking through freshly mown grass on a sunny day.

The title comes from a fear of the car wash as a little kid - my parents used to give it that name. I had fun with the distortion, especially on the drums, which I tried to add some variety to.

This one's more danceable than a lot of my music, although it's the shortest of the bunch. I tried to give it a sci-fi feel.

Very systematic, but still one of my favorites. What started as a practice in progression ended with something I'm quite happy with.

Pure blasting digi-rock.

My first "lyrical" track on the album. The voice is philosopher Alan Watts. This was probably the most fun to make, especially once I stopped worrying about the measure structure. I think it's appropriate to the subject matter to chop up the…

A very electronic piece, with just a synth and a drum.

This one's got a solid beat and some wailing guitars - just jammin' out.

Because of its structural simplicity, I put this one first. It's kind of a playful electronic piece that eventually builds to something more powerful.

A very rough demo. Programmed the drum kit live in one cut. I messed up on the guitar part at one point too. Oh well.

This One was a creation with my friend and gran Master, Kavin. You can fin more kavin´s tracks on alonetone.com/kavin :)

A very special love song. Featuring Ewan Crossan on guitar. One touch Can make you do anything Your light shows me everything Please know i'll carry you everywhere I go, my plaything Chorus: And i knew i'd have you moment my eyes…

cargo www.myspace.com/beyondperceptionband

by the power of the engine www.myspace.com/beyondperceptionband

dance the destruction www.myspace.com/beyondperceptionband

Nother solo piano, I had been listening to Jarrett on McPartland, Quartet for the End of Time, In A Silent Way, and that great audio effect where it sounds like everything is continually descending, but it isn't.

This song was recorded week two, and while it only has one different musician from week one, the songs ended up being very different. This song has a much greater risk factor, in that it does not have one steady rhythm or anchor, and therefore…

Another collab. Words by Gordy Macdonald. Music by yours truly. You said you hate me when I sing So I scream myself hoarse for you Until my voice breaks like the morning But I'll never hate you too (Chorus) This is where I'd tell you All that…

This is a song that has been in "development" for a while. The music was written by Ewan Crossan while I wrote the lyrics and vocal melody as well as the middle 8 part that comes after the second chorus. The final version is quite different from…