All sounds on the track are made with Synplant (from Sonic Charge).

Textures and burbling arpeggios by Waldorf PPG 2.V, non-burbling texture by Gforce M-tron and Arturia Minimoog V, madness by Sonic Charge Synplant.

Recorded early 2008. Prophet '08 (pulses, soft texture, melody line), Oberheim Matrix 6R (swirly textures).

This track is done on an Elektron Monomachine, recorded in one pass with no overdubs. The goal was to do a long, slow ambient piece which slowly built up and changed over time. What happened instead is that I made something that's somewhat eerie…

This song is really two different but related songs which I merged together into one longer one, making it in a sense one song with two different moods. To me, both parts are somewhat wistful, somewhat regretful, and somewhat full of longing for…

A live gig recording.

This track is done on an Elektron Monomachine, recorded in one pass with no overdubs.

All tracks Prophet '08

Arpeggios by Monowave, textures by Access Virus Indigo 2, synth intro by Multimoog, main synth lines by Moog Little Phatty, additional strangeness by Flame Talking Synth.

All tracks Prophet '08

A live gig recording.

Moog Minimoog Voyager, with a little extra texture from an Access Virus Indigo 2.

The core of this track was done in Numerology (burbling sequence and percussive "bells"), with additional drones, textures and drenched-in-echo melodies added later.

Almost all tracks are layered monophonic Minimoogs (except for the "strings"). I plan on adding robot vocals, but that might take some time.

A live gig recording.

Arturia Minimoog V (arpeggios), GForce M-Tron (textures), Prophet '08 (everything else). This is one of my more band-like pieces.

A live gig recording. Flute by Ross Reitzammer

This is the title track and was written in the 90s to a boss who resisted change and it's obvious benefits.

Jonathan Thomas opens on Chapter 2:6-15