Robert James's listening history

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Hello and welcome to the first song from Quarantine Tunes Volume Eight, also known as the eighth round of The Great 2015 Re-Recording Project, also known as the highlight reel from the 2020 50/90 Challenge. Or something like that. I had…
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Written during the 2020 50/90 Challenge (I think... wasn't it?) and now re-recorded for Quarantine Tunes Volume Eight. The Great 2015 Re-Recording Project continues... forever. We're scraping the bottom of the barrel in a big way now. The…
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Did you see any of the articles recently that talked about the John Cage piece? Cage wrote what is unquestionably the slowest piece of music ever performed. A machine was designed in order to play the entire piece and recently it changed chord…
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50/90 runs from July 4 through October 1. Three months. When I work on it I tend to break the project up into four pieces. Songs started and finished in each of the three months, and songs that cross between months. This is the only cross…
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I like this one, even though there's not a lot to it musically. Mix wise, there's tons going on. Four rhythm guitar tracks, five vocal tracks, four lead guitar tracks, and (really) two drum tracks. Oh yeah, and one lonely bass guitar. I…
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This little guy comes from my first complete 50/90 back in 2014. It's super simple but for some reason I have a tough time getting a mix I like. I think the existence of the electric piano might just be throwing off my entire brain or something…
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This isn't the best song I've ever written. I think that one is on the Quarantine Tunes Volume 1 playlist. No, it's not the best but... I'm pretty sure it's my favorite song I've ever written. Not because of the quality of the song, but because…
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Long backstory: I was at a band practice and Greg the singer was telling a story about an acquaintance of his who had recently let it be known that he believed the Earth was flat. Seriously. We had a good laugh. A day or two later my wife…
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When I wrote this back in June I was really loving everything about it except for my utter shit vocal take. I thought it was the key. When I redid it this time I lowered the key a whole step and sped up the tempo for good measure. Now I can…
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I didn't even think of this until I started mixing tonight that this song has the exact same structural gimmick as the last song I posted. Ooops. I guess that's the risk you take when you are totally unoriginal and working on a sort of compilation…
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