Well done. I don't really have any suggestions about structure except to say don't get too hung up on it :-) I kind of think that the way this ebbs and flows is all the structure it needs.

@NebulonicAlchemy: I've no recollection of the conversation you're talking about. I use a lot of effects in Live and Logic so it doesn't sound like me. My point is about creating an arrangement where there is more control over sonic density. Particularly intense points should not be clustered together or they become overwhelming. I think the issue is with taking a single, long, piece of audio and trying to treat give it a different structure.

Your efforts to create space are interesting. I'm not sure I comprehend exactly what you mean. I believe you once said you dont' like using efx which comes with audio editing/recording sofware. Maybe this a route you may want to take?

This is full of great sounds mate very cool.

Wild sounds ... Great mix

ok....I think I did see that.

If you read my post in that thread I talked about one of my tracks being downloaded over & over again by Chinese spammers/spambots. This is that track.

wildgease and I were talking about play counts...he said he posts links to his songs on other pages...did you do that for this one? On what pages did you put the link for this song?

Reminds me of the voice of Shodan, the AI in the System Shock series of computer games. :)

I can definitely hear the Dune soundtrack in this. Nice work on the Reaktor instrument! It'll be interesting to hear what else you end up doing with it.

I like it....very...interesting..music that creates itself...in a way...

You should develop some iPhone/Pod apps like this. Cool.

The samples were not carefully chosen just a few random snippets I had lying around and some vocal samples I've been collecting for another project. I just needed something to feed into it.

i like the samples u used. What are they from??

I seriously think this could lead to not so silly things. Have you ever heard of the tribe of people...from thousands of years ago, who knew the EXACT orbital patterns of stars and planets they couldn't even see? Maybe this too..like MMI said...is a happy accident?

The idea came to me in a conversation as a kind of silly thing to do. I was thinking about how to mess with samples and the idea of slicing them and trigger them by collisions just popped into my head. At the moment the energy levels are fixed. One of the things to complete the model is for collisions to drain energy. Then I plan to add "warming" that is a constant influx of energy which will be controllable. Beyond that I really want to play with having the collision sequencer drive other things like a bank of oscillators. I'm also considering how it could sensibly output MIDI.

I was thinking that more outside variables would be interesting. I like the gravity well idea. So where did you get the idea for this? And...do energy levels change when there is a collision?

http://en.wikipedia.org/wiki/BBC_Radiophonic_Workshop

Loving your work with vox!

Great stuff mate this is very cool.

Fab track and great name.

This one's brilliant. Your whole 24hrs album is really a fantastic achievement!

Also awesome!

Brilliant track, all the better for how it was made.

Very whacky, very cool :)

How did I miss this? Love it :)

Love this one!

So happy you've uploaded this track. Been waiting to favourite this monster! :)

Great to see your music on here alloy, cool beans :)

Wow... MMI had this about right I think... quite charming and totally batty. I enjoyed it :)

Weird, glitchy, I love it :)

Love the sound and the changes throughout. Very cool.

This track is brilliant. Love it.

Great sound you've got here.

Great mix.

Loved this piece.

Love this one.

"High-energy sonic oddness." I like it :)

Great sound, great feel :)

I love the sound you create here, wonderful.