Nice work Chris and Emily!, so many great additions to the killer beat i am getting lost!

EXCELLENT Chris and Emily! Honored to be part of this collaboration.

Really love how this has developed!

Emilys voice is quite haunting in play with Ricks Guitar and Chris's Bass and the percussion goes with out saying is excellent. Good one

Beautiful job, Emily! I love it!

Nice additions. Very cool!

Like the soothing vocals, percussion by norm?,,,wow this good!

Cool song and istrumentation

Sketch of the ripple of unseen muscles. Tea for two who wish to take their tea in the garden. Concentrating of attention with careful subtlety to this end. I like that.

WOW! Great sound and meaty lyrics, maestros!

very cool guys,,,,has a primal feel,,,,,,enjoyed very much

nice spoken word piece and the music provides the perfect backdrop.

Great percussion as well arrryyehh yeehh yaaah

Enjoyed this immensely in fact so much so i started to laugh

Ha! Very clever! I love the bass lick and vox... and I'm very proud to be a part of your first accoustic recording of cornet, flute and harmonica. Historic indeed. And what an interesting poem. I read up on it. Some highlights: With "Hysteria" Eliot created an unconventional poetic diction by using verse rhythms that were based on the cadences of speech rather than poetic structure. It is possible that the laughter may be a product of the woman’s ‘hysteria’, but it is more likely that the title applies to the narrator’s reaction to that laughter. “As she laughed,” he begins, “I was aware of becoming involved in her laughter and being part of it.” He begins to feel as though he has physically become the laughter he is observing." "The narrator’s goal is to collect pieces of the details he was able to capture in order to rebuild a coherent reality. The reader is left somewhat skeptical of this goal, however, because of the narrator’s doubtful language. “If” the woman’s breasts “could” be stopped, “some” fragments “might” be collected. Each line contains two distinct words of uncertainty, and by the end we are not sure that the narrator’s hysteria can be cured.

Kick ass collab gents. Fine work chris and norm! FAV'D Love the additions to the track! The horns work great.

What a vocal. Go for it Chris!

Crazily spooky! Totally envy your sustained notes. Damn.

DL'd for later :)

I like the long held out vocals combined with the scales your using....very somber, and droning feel. Very off-tune...but yet very much in-tune...

the individual samples for propane are stretched (and filtered) but not the composition.

luscious - beautiful I had not heard you until this morning and I'm glad I found your music and spirit.

nice spooky keys at 1:45 ish - very 60's psychedelic feel

well done!

I really this version!!

love it!

I hear a lot of melodies in this one. All of the drums seem to speak to me. Even the clave. Perhaps I'm finally getting it?

This is were its at!! Groovy!!

Is there a connection with Desiree? Who is the real Desiree? http://en.wikipedia.org/wiki/Succubus

I feel for Bob - he don't deserve the misery that's coming down the road...

love the deep phaser solo!

great!

shock the monkey!

Beautiful - love the music and video!

heh! It didn't sound this good then!

acid rain? :-)

nice! Good backing and vocals!

You read poetry very well! Enjoyed!

rockin!! If you are on facebook be sure to look up xenharmonic alliance and join your fellow microtonalists. I posted a link to your music there already. All the best, Chris Oh - don't forget the contest! http://www.untwelve.org/2011_competition.html

nice - is this in 19edo?