HYSTERIA
poem by: T.S. Eliot (1888-1965)
As she laughed I was aware of becoming involved
in her laughter and being part of it, until her
teeth were only accidental stars with a talent
for squad-drill. I was drawn in by short gasps…
Sketch of the ripple of unseen muscles. Tea for two who wish to take their tea in the garden. Concentrating of attention with careful
subtlety to this end. I like that.
HYSTERIA
poem by: T.S. Eliot (1888-1965)
As she laughed I was aware of becoming involved
in her laughter and being part of it, until her
teeth were only accidental stars with a talent
for squad-drill. I was drawn in by short gasps…
HYSTERIA
poem by: T.S. Eliot (1888-1965)
As she laughed I was aware of becoming involved
in her laughter and being part of it, until her
teeth were only accidental stars with a talent
for squad-drill. I was drawn in by short gasps…
HYSTERIA
poem by: T.S. Eliot (1888-1965)
As she laughed I was aware of becoming involved
in her laughter and being part of it, until her
teeth were only accidental stars with a talent
for squad-drill. I was drawn in by short gasps…
HYSTERIA
poem by: T.S. Eliot (1888-1965)
As she laughed I was aware of becoming involved
in her laughter and being part of it, until her
teeth were only accidental stars with a talent
for squad-drill. I was drawn in by short gasps…
HYSTERIA
poem by: T.S. Eliot (1888-1965)
As she laughed I was aware of becoming involved
in her laughter and being part of it, until her
teeth were only accidental stars with a talent
for squad-drill. I was drawn in by short gasps…
HYSTERIA
poem by: T.S. Eliot (1888-1965)
As she laughed I was aware of becoming involved
in her laughter and being part of it, until her
teeth were only accidental stars with a talent
for squad-drill. I was drawn in by short gasps…
Ha! Very clever! I love the bass lick and vox... and I'm very proud to be a part of your first accoustic recording of cornet, flute and harmonica. Historic indeed.
And what an interesting poem. I read up on it. Some highlights:
With "Hysteria" Eliot created an unconventional poetic diction by using verse rhythms that were based on the cadences of speech rather than poetic structure.
It is possible that the laughter may be a product of the woman’s ‘hysteria’, but it is more likely that the title applies to the narrator’s reaction to that laughter. “As she laughed,†he begins, “I was aware of becoming involved in her laughter and being part of it.†He begins to feel as though he has physically become the laughter he is observing."
"The narrator’s goal is to collect pieces of the details he was able to capture in order to rebuild a coherent reality. The reader is left somewhat skeptical of this goal, however, because of the narrator’s doubtful language. “If†the woman’s breasts “could†be stopped, “some†fragments “might†be collected. Each line contains two distinct words of uncertainty, and by the end we are not sure that the narrator’s hysteria can be cured.
HYSTERIA
poem by: T.S. Eliot (1888-1965)
As she laughed I was aware of becoming involved
in her laughter and being part of it, until her
teeth were only accidental stars with a talent
for squad-drill. I was drawn in by short gasps…
As can happen when you listen to sometime a million times over your mind and ears start accepting things that later you wish you had not. This is a (much better imho) revision thanks to the urging of Gary from the music by computer list.
Vocal, fretless electric guitar, rhodes (Dimension Pro), tenor sax (Dimension Pro), and drums (Session 3 drummer). All but the drums are live performances.
The words by T. S. Elliot used:
(Orestes:)
You don’t see them, you don…
Vocal, fretless electric guitar, rhodes (Dimension Pro), tenor sax (Dimension Pro), and drums (Session 3 drummer). All but the drums are live performances.
The words by T. S. Elliot used:
(Orestes:)
You don’t see them, you don…
Vocal, fretless electric guitar, rhodes (Dimension Pro), tenor sax (Dimension Pro), and drums (Session 3 drummer). All but the drums are live performances.
The words by T. S. Elliot used:
(Orestes:)
You don’t see them, you don…
Vocal, fretless electric guitar, rhodes (Dimension Pro), tenor sax (Dimension Pro), and drums (Session 3 drummer). All but the drums are live performances.
The words by T. S. Elliot used:
(Orestes:)
You don’t see them, you don…
Layla and Majnun is a classical Arabian love story. It is based on the real story of a young man called Qays ibn al-Mulawwah from the northern Arabian Peninsula,[6] in the Umayyad era during the 7th century. There were two Arabic versions…
This is an improvisation (with a bit of editing where my timing got off by a lot) for this week’s ImprovFriday event
I used my M-Audio 88es to drive:
Korg MS2000
ARP 2600 V soft synth
Absynth 5 soft synth
Session 3 drummer soft synth
Pianoteq…
Layla and Majnun is a classical Arabian love story. It is based on the real story of a young man called Qays ibn al-Mulawwah from the northern Arabian Peninsula,[6] in the Umayyad era during the 7th century. There were two Arabic versions…
Layla and Majnun is a classical Arabian love story. It is based on the real story of a young man called Qays ibn al-Mulawwah from the northern Arabian Peninsula,[6] in the Umayyad era during the 7th century. There were two Arabic versions…
Recomposition of the following ImprovFriday composers / pieces
Peter Thörn
Wheel be
Norbert Oldani
Piano Impro 1,2 3
Another Aulos Impro.
Jeff Duke
Scanners and Bells
Kavin Allenson
dragchain
brain salad surgeon
Slim and None…
Layla and Majnun is a classical Arabian love story. It is based on the real story of a young man called Qays ibn al-Mulawwah from the northern Arabian Peninsula,[6] in the Umayyad era during the 7th century. There were two Arabic versions…
Recomposition of the following ImprovFriday composers / pieces
Peter Thörn
Wheel be
Norbert Oldani
Piano Impro 1,2 3
Another Aulos Impro.
Jeff Duke
Scanners and Bells
Kavin Allenson
dragchain
brain salad surgeon
Slim and None…
this is just too good I have to give the machine's all the credits I did little more then guide them thru this landscapes in timeless experiential effects. I will have the big video that was cut up and layered here before effects soon to see…
yes this is part three of the disk i did...
this piece includes a hypnosis session doing a past life regression of me, bill newbold,.
just edits in the sounds.
This is a collab song with MTC. I almost hated adding anything to it cuz the first track he sent me was kickass vintage Jim. It totally changed flavors in the collab process, but still one of my favs
Didnt mean to have a political slant but had just got denied my large order soft drink in Manhattan.
All thats left are the small sodas with the "NY loves big cans" tee shirts
always liked this song. as a guitarist in the early 80's i played this song a lot in a band i was in. i went for a live sound on this so it would have a sort of an amplifier played live. i am the only one to blame for this song, as i did it all…
I think this needs a guitar solo but i'm not capable of doing it so if anyone would like to give it a go i would love to hear what you could come up with its in C. Otherwise i'm quite happy with it...now with a solo by Billy Jack
Please Don…
some mistakes, like playing live, but i make them right quicky. the song is for halloween and make of the lyrics what you will.
the drums have phaze on them. some of the soft guitars have phaze and flange. the beginning 2 1/2 mins are slow…
Chris Vaisvil sent me over some guitar to see what i could come up with…he also sent it to Phantasm777 to see what he could come up with on the drums and i might add has done a striling job with them….Chris then mixed it and sent it to me for…
yikes, hope i don't disgrace the beatles with this one. i tried to stay to the spirit of the song. obviously i didn't have a sitar and i didn't think i should need to re-create every sound effect they did, but i did many! one of my fav psyche…
i was trying to work on a piece for a shark video of mine, but this is what came out instead,, my piano moments collections are the small musical threads that emerge amongst/while i am working/thinking about other things,,,
Comments on vaisvil's stuff
Sketch of the ripple of unseen muscles. Tea for two who wish to take their tea in the garden. Concentrating of attention with careful subtlety to this end. I like that.
WOW! Great sound and meaty lyrics, maestros!
very cool guys,,,,has a primal feel,,,,,,enjoyed very much
nice spoken word piece and the music provides the perfect backdrop.
Great percussion as well arrryyehh yeehh yaaah
Enjoyed this immensely in fact so much so i started to laugh
Ha! Very clever! I love the bass lick and vox... and I'm very proud to be a part of your first accoustic recording of cornet, flute and harmonica. Historic indeed. And what an interesting poem. I read up on it. Some highlights: With "Hysteria" Eliot created an unconventional poetic diction by using verse rhythms that were based on the cadences of speech rather than poetic structure. It is possible that the laughter may be a product of the woman’s ‘hysteria’, but it is more likely that the title applies to the narrator’s reaction to that laughter. “As she laughed,†he begins, “I was aware of becoming involved in her laughter and being part of it.†He begins to feel as though he has physically become the laughter he is observing." "The narrator’s goal is to collect pieces of the details he was able to capture in order to rebuild a coherent reality. The reader is left somewhat skeptical of this goal, however, because of the narrator’s doubtful language. “If†the woman’s breasts “could†be stopped, “some†fragments “might†be collected. Each line contains two distinct words of uncertainty, and by the end we are not sure that the narrator’s hysteria can be cured.
Kick ass collab gents. Fine work chris and norm! FAV'D Love the additions to the track! The horns work great.
What a vocal. Go for it Chris!
Crazily spooky! Totally envy your sustained notes. Damn.
DL'd for later :)
I like the long held out vocals combined with the scales your using....very somber, and droning feel. Very off-tune...but yet very much in-tune...
Less then one minute in and i already love it.
very nice,, as always i am amazed by your art
Beatifully sick! I like it very much!!
Wow, stirring stuff!
Yes indeed cool!
Ummm just blown away!
Cool story about Majnun. Very pro sounding production. Horns sound great to me.
yes........very chaotic and interesting all at the same time,,,,,
Comments made by vaisvil
this is... like being inside of a factory at night when the machines wake up and devise artifacts of their alien will.
I found this really interesting.
This series has a good flavor so far. More subtle than usual. The first piece reminded me of the magnetic field of Jupiter as picked up by Voyager.
cool!
love what you guys did here.
wow the a capella is just stunning!
Love the vocal harmonies!! Great tune to pick and nice excution
Nice - sounds very romantic period - quite dramatic and powerful.
Well, I like this one 'cause I can relate to the lyrics.
great vocals, great solo, great story!
incredible musical and story telling vision in this!
Thanks everyone!
lol! this is crazy great!~
Ah wow!
Thanks for the listen and comment! This is crazy! in a good way!
Thank you for the listen and comment Richard! We ought to try a classical guitar and piano duet some day!
awesome version! enjoyed this a lot!
I like stretched music - I do a lot of it myself - did you stretch a version of the Beatles Dear Prudence?
I usually don't fav songs i'm on... but it really was 99% Reg and Phan so...
Thanks for cooking up this collab - you and Phantasm rock!