Ah, ribbony goodness. I have to set aside time to listen to you, real quality time. This is, as ever, a breath of fresh air...made in a bathroom or not.
Sitting around in my shop a couple of days ago with the Goodall and the Zoom H4N. First time I've really messed with using the internal mics on the H4N in multitrack mode
I'm a complete idiot when it comes to all things midi related. Recently got myself a midi keyboard though and came up with this short piece just messing with sounds in Proteus. Really looking forward to the possibilities of combining this sort…
I told the [good Sister](http://alonetone.com/sistersavage) that I wanted to try using vocals in a track and she offered to do me some abstract, stylized, vocals that I could play with and this little number is the result.
Working with wet (pre…
THIS IS SICK. Thanks for the props on my new stuff, too. I got the glitched out sounds by time stretching some old woman talking and offsetting multiple takes of the same clip. Thanks again.
From 2005 - Another one of my early pieces written on Fruity Loops, I believe written along side Morning at the Quay. As much as I detest re-recording things, I could probably do it justice now (for what it is, but I cringe at the step programming…
One of the things about my [Glitching Satie](http://alonetone.com/sandbags/tracks/glitching-satie-1) track that I wasn't comfortable with was that it wasn't my recording that I was using. But I'm nowhere near good enough to play a piece like Gnossiennes…
Logic 9 - using samples from "8.5" and "8.8" by Supersilent, as well as some drum sounds from "No One Gives A Hoot About Faux-Ass Nonsense" by Don Caballero
Something completely different- Uilleann pipes(Irish bagpipes) and synth. I wrote this tune over 20 years ago in the style of traditional Irish slow airs. It was recorded way back in 1991 for an album that's been out of print for over 15 years…
Recorded August 26, 2009
Details: Epiphone Les Paul (DADFGC - capo II), Seymour Duncan Pickups, POD XT, Boss RC-20 Looper, EBow, Audacity, Sound Forge.
Written in 1982 after a trip to Wyoming with a couple of Alex DeGrassi cassettes....
Written and Recorded August 29, 2009
Details: Martin D1 (DADGAD - capo V), Shure SM57, Audacity, Sound Forge.
I can't hide the fact that I've listened to Pierre Bensusan. Or that I've longed to return to Paris.
Comments on Peter G. Brown's stuff
wow stunning! Completely amazing!
bootiful
Great intro! Touches of magic here!
Golden ribbons... Wonderful golden ribbons...
Ah, ribbony goodness. I have to set aside time to listen to you, real quality time. This is, as ever, a breath of fresh air...made in a bathroom or not.
I could get lost in these sounds. Beautiful!
cool tune.
Lovely!!
You conjure up such wonderful feelings...
i lover this one
Beautiful!!
Very Nice!
Wonderful sound. More experiments to come?
Very pleasant. Nice concept.
Just Beautiful! If this is the demo I'm looking forward to the finished version!
Oh *dies*. Perfect dreamy ribbons.
Gorgeous!
Lovely, perfect for a still, frosty, night.
Outstanding!!!
This is great. I rarely download here, but this is going on the ipod.
Comments made by Peter G. Brown
Awesome!
Mystical! So good.
SICKKKKKK!
I LOVE all of your music.
THIS IS SICK. Thanks for the props on my new stuff, too. I got the glitched out sounds by time stretching some old woman talking and offsetting multiple takes of the same clip. Thanks again.
Your FL demos are far better than mine ever were. Kudos, loving the orchestral feel.
If real life were a video game, and this game had a soundtrack, this song would be played every time you wanted to fight someone. That's a good thing.
Such a sweet composition. Bouncy, but pretty serene at the same time; love it.
This is hot.
YES
This is great!
I love this. A lot.
Thank you sir; I'm loving your stuff as well. Such a nice warmth.