Full name is "The Morphing Architecture Of The New England Vatican". This is another RPM 2010 track.
I have weird dreams where your average New England city is juxtaposed with some holy Old World locale. The music and lyrics arose from that…
Format Sea - Part Two
Based on the age-old concept that a person is born anew every seven years. It's technically meant in terms of physiology - you develop all new bones/muscle/fat in a seven year period. I kind of add a spiritual/alien abduction…
you have a way of making a particularly long song with minimalist instrumentation, a lot of open spaces, yet it remains interesting and holds the attention for an unusually long span..i think you are truly an innovative composer..levels schmevels
This is a redo of "I've Made Myself A Wall", from the 2009 24 hour challenge on Alonetone.
I thought the original version was a little bland, so I wanted to take a stab at breathing some fresh life into it.
For my last RPM Challenge album…
This is a redo of "I've Made Myself A Wall", from the 2009 24 hour challenge on Alonetone.
I thought the original version was a little bland, so I wanted to take a stab at breathing some fresh life into it.
For my last RPM Challenge album…
This is a redo of "I've Made Myself A Wall", from the 2009 24 hour challenge on Alonetone.
I thought the original version was a little bland, so I wanted to take a stab at breathing some fresh life into it.
For my last RPM Challenge album…
This is a redo of "I've Made Myself A Wall", from the 2009 24 hour challenge on Alonetone.
I thought the original version was a little bland, so I wanted to take a stab at breathing some fresh life into it.
For my last RPM Challenge album…
An electronic track from the Dead In The Water sessions. I thought the Last FM version was missing something, so I went in to fine-tune it.
This is the end-result of that fine-tuning.
The track deals with how there are usually no easy outs…
The last track from my RPM Challenge album, "The Loudest Silence".
The story is loosely based on something I read, but there's a lot of poetic interpretation involved. It deals with people who spend a lot of time staring at the stars - like the…
Toughest thing to mix on the entire album. Synthesizer music for the attention-impaired.
If you don't like the current melody, wait five seconds.
Song name comes from my workplace addiction - I was going through a bag of cough drops weekly…
This was based off "After Nothing" by Synaptic Disturbance. It was from their 2009 RPM Challenge album entitled "Aplysia Californica"
He had put the root tracks up for remix, and this is what I came up with -- as an experiment, I purposely made…
This was based off "After Nothing" by Synaptic Disturbance. It was from their 2009 RPM Challenge album entitled "Aplysia Californica"
He had put the root tracks up for remix, and this is what I came up with -- as an experiment, I purposely made…
Toughest thing to mix on the entire album. Synthesizer music for the attention-impaired.
If you don't like the current melody, wait five seconds.
Song name comes from my workplace addiction - I was going through a bag of cough drops weekly…
"Deal Breaker" from the RPM Challenge Album "Dearly Beloved" by the band Doll Butcher. A blend of rock, metal and electronic music, this song is a father's perspective during a military attack in which he realizes his family will become refugees.
Hanging on my closet, I have a sticker for Narraganset beer and a mock-road-sign reading "Dystopia" with an arrow pointing both directions. The juxtaposition was unintentional, but I decided I liked it.
The Dystopia name works here. It sounds like the sort of song that would play the first day after the end of the world in some eight bit chip-tune reality. It's kind of bittersweet.
Modern Language is Lucid Optics on rhymes and Museum on production. This song is from the Ok Txt Me EP. Read more here: http://www.imposemagazine.com/bytes/new-music/modern-language-ok-txt-me
The second part of the new album "Space".
The songs are:
Barrel of a Gun
Afterlife
Somewhere South
The Walking Dead
Thanks for listening. More to come . . .
I'm digging whatever song it is that's playing around six minute mark here. I like the way the melody flutters around unexpectedly. It would be nice if the album was divided up song by song. (Easier to navigate that way.)
I like the minimalism of this. You do a lot with a very simple synthesizer. This is the sort of thing I could envision playing over a shortwave radio in the middle of the night, announcing the commencement of a number station or something.
This is the sort of thing that I would set on a time delay to begin playing while I'm already asleep. I could see it subtly interacting with my dreams and sending them in interesting directions.
This is fantastic - the lyrics are thought out very well and interweave nicely with the synthesizers. You're totally right - it has an 80s vibe to it. (Maybe late 80s / early 90s.)
Comments on AMUC's stuff
I remixed this RPM track - sounds a lot better now..
you have a way of making a particularly long song with minimalist instrumentation, a lot of open spaces, yet it remains interesting and holds the attention for an unusually long span..i think you are truly an innovative composer..levels schmevels
Great music! And I love the oceanic vocals!
Intriguing sounds! Like it!
Nice one mate cool sounds.
I'm a newbie here so hello to you.
Top track mate very cool.
im luvN diz whole album brudda! vry dope
eee!<3
1:45 = <333 :D:D:DD:D:
sick! XD i wuz playn thru ur album n lieks had 2 stop at diz one and play it liek obva n obva XP its rly @_@
Great job mate well done.
Wow, interesting experiment! Your results are cool as hell! Very dark.
The synth turns really funky after 0:15 till 0:25, sounds psycho in a cool way!
so creative dude.
i connect with the music in this piece
rock on!
nice sound!
Yes, a brilliant album close - also a brilliant opener? Or just maybe brilliant.
Yeah!
Comments made by AMUC
I'm digging this album - just the little morsel-sized audio capsule of 'wake-up' that I needed.
I'm digging the instrumentation on this one - it's very lush. You really get sucked right into it.
I'm digging this - it's catchy. It has an 'Arabian Nights' sort of vibe to it.
Catchy little ditty. I'm digging the vocals. The album art? Is that a reference to The Quiet Earth? That was the first thing that came to mind.
The Dystopia name works here. It sounds like the sort of song that would play the first day after the end of the world in some eight bit chip-tune reality. It's kind of bittersweet.
I like melodic twists and turns this one takes. It has an off-kilter/unsettling sort of atmosphere to it.
This has a nice crunch to it. The sound production on it is top notch as well (and louder rock is not easy to mix at all.)
Ha - naturally a song like this comes on when I'm trying (unsuccessfully) to replace the blinds on my window. The lyrics fit the task perfectly.
Nice - reminds me of Black Sabbath or Count Raven.
This is fantastic -- I like the interplay between the rapping and the sung choruses.
I really liked this one. Very relaxing - it helped me to unwind.
I'm digging whatever song it is that's playing around six minute mark here. I like the way the melody flutters around unexpectedly. It would be nice if the album was divided up song by song. (Easier to navigate that way.)
I like the minimalism of this. You do a lot with a very simple synthesizer. This is the sort of thing I could envision playing over a shortwave radio in the middle of the night, announcing the commencement of a number station or something.
I'm digging some of the sound effects you're making here. Was that an FFT-style synthesizer you were using at the very beginning?
This is the sort of thing that I would set on a time delay to begin playing while I'm already asleep. I could see it subtly interacting with my dreams and sending them in interesting directions.
Ha! A swimming pool of espresso sounds really good right about now. =)
This is fantastic - the lyrics are thought out very well and interweave nicely with the synthesizers. You're totally right - it has an 80s vibe to it. (Maybe late 80s / early 90s.)
The production is really solid on this. I like how you can hear all the different instruments clearly in the mix.
One can tell you were really in the moment when you did this one. It's very serene.
I like the vocals on this one -- I like the vocals transition between the louder parts and the more mellow sections.