If "Jenny Blue" is the closer, and "Shrinking Violet" is the outro, then this is the postlude to the outro. The only track I played in real-time on from beginning to end. (No idea how I managed to pull that off..)

"Jenny Blue" was originally supposed to be the album closer, but this track seemed like a nice outro. (Definitely Tangerine Dream worship on my part.)

The last track from my RPM Challenge album, "The Loudest Silence". The story is loosely based on something I read, but there's a lot of poetic interpretation involved. It deals with people who spend a lot of time staring at the stars - like the…

Toughest thing to mix on the entire album. Synthesizer music for the attention-impaired. If you don't like the current melody, wait five seconds. Song name comes from my workplace addiction - I was going through a bag of cough drops weekly…

This is one of the tracks that ties into the theme from my RPM 2009 album [Like A Dark Mirror Keeping Its Secrets]. A fall from grace. Every up has its down. Every down has its up. There's definitely a "ying and yang" thing at work here.

Another sound experiment that I can't really call a 'song'. I am building out a microtonal sampling system. I basically told it to continually create seventh chords using differing variants of a third, fifth, and seventh each time. All this…

Another sound experiment that I can't really call a 'song'. I am building out a microtonal sampling system. I basically told it to continually create seventh chords using differing variants of a third, fifth, and seventh each time. All this…

Another sound experiment that I can't really call a 'song'. I am building out a microtonal sampling system. I basically told it to continually create seventh chords using differing variants of a third, fifth, and seventh each time. All this…

Another sound experiment that I can't really call a 'song'. I am building out a microtonal sampling system. I basically told it to continually create seventh chords using differing variants of a third, fifth, and seventh each time. All this…

Just a prototype. I wouldn't even call it a finished song. I was experimenting with creating a composition with thirds and sevenths that roam about between minor and major, exploring all the microtonal weirdness that exists in between.