Charlie, I too have a fascination with "The Theme Song From Peter Gunn"... one of my favorite from Mancini. The francesca vocal fx is slightly reminiscent of the skat singing of Edie Hart, so I am sure this would fit right in at *Mother's*.
I have tried to make a literal representation of this from Mat Cooper:
"I consider rhythm to be ultra-low pitch. Polyrhythms are then Just Intonation. For example if rhythm1 cycles through 4 beats in the same time as rhythm2 cycles through 3…
Well, is it microtonal? What do you make of this?
As for me, when it is in a tempo range that I can follow (mid range) it sounds like a basic 4vs.3 polyrhythm. This makes sense to me, as all of the drum tones drop back into the their common denominator of 4 or 3 and resound in unison.
So, I get the sense of polyrhythm, but not microtonality.
It would be interesting to me to repeat this experiment with, for example, piano key tones to see if the results are the same, i.e. is one left with a sense of 4vs.3 polyrhythm or something else.
My hypothesis is that the effect will be the same. I do not believe the pitch of the notes relate to this question. And I also think that at this point I do not agree with the premise that "polyrhythms are then Just Intonation": polyrhythms represent a relationship in time, whereas Just Intonation represents a relationship in pitch.
I asked JohnnyRobbo from over on the Cool-lab to do the backer for this one as our next Collab together and he's done an outstanding job on it ...I had the easy bit adding the words...Hope you enjoy this Led Zep classic......
Comments on charlieferret's stuff
That's some funky sounds. Creatively cool.
a tastey treat for all !
Love the melody! Very angular and bluesy.
Charlie, I too have a fascination with "The Theme Song From Peter Gunn"... one of my favorite from Mancini. The francesca vocal fx is slightly reminiscent of the skat singing of Edie Hart, so I am sure this would fit right in at *Mother's*.
Best bass groove of all time. I can't help but think of the Blues Brothers and the old arcade game "Spy Hunter" when I hear this.
Nice interpretation of an old standard, more please
like a scene from reefer madness.......
and a good one it is too Charlie
Well, is it microtonal? What do you make of this? As for me, when it is in a tempo range that I can follow (mid range) it sounds like a basic 4vs.3 polyrhythm. This makes sense to me, as all of the drum tones drop back into the their common denominator of 4 or 3 and resound in unison. So, I get the sense of polyrhythm, but not microtonality. It would be interesting to me to repeat this experiment with, for example, piano key tones to see if the results are the same, i.e. is one left with a sense of 4vs.3 polyrhythm or something else. My hypothesis is that the effect will be the same. I do not believe the pitch of the notes relate to this question. And I also think that at this point I do not agree with the premise that "polyrhythms are then Just Intonation": polyrhythms represent a relationship in time, whereas Just Intonation represents a relationship in pitch.
Comments made by charlieferret
Thank you for the like and also for the site!
Dook!!!