Yes, chaos! A great interpretation!
Oh, what a dear little man, he's so cute!
That's some funky sounds. Creatively cool.
a tastey treat for all !
Love the melody! Very angular and bluesy.
Charlie, I too have a fascination with "The Theme Song From Peter Gunn"... one of my favorite from Mancini. The francesca vocal fx is slightly reminiscent of the skat singing of Edie Hart, so I am sure this would fit right in at *Mother's*.
Best bass groove of all time. I can't help but think of the Blues Brothers and the old arcade game "Spy Hunter" when I hear this.
Nice interpretation of an old standard, more please
like a scene from reefer madness.......
and a good one it is too Charlie
Well, is it microtonal? What do you make of this?
As for me, when it is in a tempo range that I can follow (mid range) it sounds like a basic 4vs.3 polyrhythm. This makes sense to me, as all of the drum tones drop back into the their common denominator of 4 or 3 and resound in unison.
So, I get the sense of polyrhythm, but not microtonality.
It would be interesting to me to repeat this experiment with, for example, piano key tones to see if the results are the same, i.e. is one left with a sense of 4vs.3 polyrhythm or something else.
My hypothesis is that the effect will be the same. I do not believe the pitch of the notes relate to this question. And I also think that at this point I do not agree with the premise that "polyrhythms are then Just Intonation": polyrhythms represent a relationship in time, whereas Just Intonation represents a relationship in pitch.
Thank you for the like and also for the site!