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kirklynch's avatar
Solo acoustic finger picking thing I've been working on for a while. Sometime around 1968 I started studying with Mr. George Bennett who taught me the rudiments of finger picking. Later when we played some gigs together he also taught me the rudiments…
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Gumbo's avatar
Gumbo said

you've certainly put the hours in, kirk. Sounds georgeous!!

Gumbo's avatar
Another quick little ditty. Wandering the no man's land between old timey and the 21st century
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Gumbo's avatar
Gumbo said

Thanks, Bethan, kirk. it was quite a different writing process for me, and you're right, kirk, a change of pace as well. Perhaps I was just enjoying the last of the hurricane blowing out!

K. SCOT SPARKS   79+intercessions's avatar
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Guest said

a force to be reckoned with

glu's avatar
The song was constructed around a field recording of Lacandon men paddling across the lake in Métzabok, Chiapas (Southern Mexico). The Lacandon speak "Hach T'an," which is a Mayan dialect-- this is the language you hear in the track. Unfortunately…
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Wildgeas Music's avatar
Wildgeas Music said

Your creativity is overwhelming. I need more birds.

dougsparling's avatar
Recorded: December 2004 Guitar: EBEGAD Lap Steel: EBEEBE
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Wildgeas Music's avatar
Wildgeas Music said

amazing guitar sounds....

dougsparling's avatar
Recorded August 26, 2009 Details: Epiphone Les Paul (DADFGC - capo II), Seymour Duncan Pickups, POD XT, Boss RC-20 Looper, EBow, Audacity, Sound Forge. Written in 1982 after a trip to Wyoming with a couple of Alex DeGrassi cassettes....
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Wildgeas Music's avatar
Wildgeas Music said

Smooooooth guitar sounds. I'm favoring this one. Maybe it's those duncans. Makes me want to sing up toward the skies.

dougsparling's avatar
Recorded August 28, 2009 Details: Martin D1 (DADFGC - capo II), Shure SM57, Audacity, Sound Forge. After digging this tune up really I really wanted to try it again on acoustic (which I don't play much). This is a second take recorded in…
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Wildgeas Music's avatar
Wildgeas Music said

I wish you and Kirk lived right next door.

glu's avatar
This song was made by two different piano samples (both from Sudara): 1. One was recorded by Sudara (and gang?) axing away at a hapless old piano in New Mexico. 2. today, I convinced Sudara to noodle on the piano and send it over to me…
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paul bali's avatar
paul bali said

Very effective use of the reverb...very interesting work overall.

dougsparling's avatar
Recorded August 28, 2009 Details: Martin D1 (DADFGC - capo II), Shure SM57, Audacity, Sound Forge. After digging this tune up really I really wanted to try it again on acoustic (which I don't play much). This is a second take recorded in…
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yelyah's avatar
yelyah said

Kirk Lynch does indeed humble us all. But you're also not giving yourself enough credit. :)

dougsparling's avatar
Written and Recorded August 29, 2009 Details: Martin D1 (DADGAD - capo V), Shure SM57, Audacity, Sound Forge. Late night improvisation in remembrance of my father.
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yelyah's avatar
yelyah said

short but beautiful!

another cultural landslide's avatar
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yelyah's avatar
yelyah said

Wow. Just so lovely and... drift-y.

Erik Spangler's avatar
A field recording of multiple boomboxes playing doctored field recordings of Baltimore's Inner Harbor, played back at the Inner Harbor.
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glu's avatar
glu said

now this is a novel idea!!!!

another cultural landslide's avatar
Dedicated to all musicians who get asked "what do expect to get from making music?"
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yelyah's avatar
yelyah said

I love this one on so many different levels!

J dY Stamp's avatar
Originally this piece was written for a guitar. But I love my R3 so much! I'm playing with it. So this piece is just an electronic version. As always, all sound patches were programmed by me.
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dougsparling's avatar
dougsparling said

Oh, lovely. I'm a sucker for this kind of thing.

The springsteens's avatar
This is the first song I ever wrote that I was proud of. and I haven't matched it since. I had the first line in my head for like a year, then I switched it round and had the second line. With that, I sat down at my guitar and played the first…
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yelyah's avatar
yelyah said

"and I haven't matched it since" I've had that feeling before. And there's only one fix for it. Write more material. So keep going. :)

The springsteens's avatar
This song is about someone giving you a lift, and while they drive you there you fall in love with them by watching their eyes in the rear view mirror. It had like five verses but I cUt it down to two with one repeated. In cutting those verses…
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yelyah's avatar
yelyah said

I won't claim to know anything about expiring free trials. :) You might give Reaper a try. I haven't used it, but I've heard good things over the years. And it's the "full, uncrippled, unexpiring evaluation version". http://www.reaper.fm/

glu's avatar
The song was constructed around a field recording of Lacandon men paddling across the lake in Métzabok, Chiapas (Southern Mexico). The Lacandon speak "Hach T'an," which is a Mayan dialect-- this is the language you hear in the track. Unfortunately…
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yelyah's avatar
yelyah said

"blah blah blah" Proof that some of the things that the composer finds mundane, fascinates the rest of us. Where's my "how to glu" distance learning course?

Lord Sluk's avatar
Nupitor, the planet of love. A Sluk & Xenos collaboration.
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dougsparling's avatar
dougsparling said

yeah!

yelyah's avatar
It's the "do no harm" mix. Because, theoretically you won't hear any difference between this and "technique 43". Which is sad really, given how many hours I spent on it. Hours spent on the oh-so-exciting put-everything-in-Logic step…
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dougsparling's avatar
dougsparling said

Wonderful track.

kirklynch's avatar
Another one from back when I was tracking to actual tape. Was going to do a new version at some point, but decided I had lost interest. Sometimes there's no sense in recreating the past! Recorded probably the beginning of 2007
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another cultural landslide's avatar
another cultural landslide said

You had me at 10. I LOVE THE BLUES!. Excellent work Kirk! w;-) This may double post...something strange going on?

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