A track created for a character called Rainy, on the North walk (entitled "Life Is Monumental") of "Charm City Remix", a site-specific narrative by Kianga Ford.
A skipping CD of children's music, an old accordion with sticky keys, some subterranean drums and synth bass, a departing train. Hoping to achieve some kind of glitchy transcendence through the broken fragments.
A skipping CD of children's music, an old accordion with sticky keys, some subterranean drums and synth bass, a departing train. Hoping to achieve some kind of glitchy transcendence through the broken fragments.
This is one of several beat tracks for my new piece "Z-Land" for string orchestra, amplified string quartet, and DJ. The full piece will be performed by the Zeeland High School Orchestra (from Zeeland, MI) November 20 at the Baltimore City school…
This is one of several beat tracks for my new piece "Z-Land" for string orchestra, amplified string quartet, and DJ. The full piece will be performed by the Zeeland High School Orchestra (from Zeeland, MI) November 20 at the Baltimore City school…
A skipping CD of children's music, an old accordion with sticky keys, some subterranean drums and synth bass, a departing train. Hoping to achieve some kind of glitchy transcendence through the broken fragments.
This is awesome! All the varying timbres work perfectly together.. I'd be glad to explain some of my percussive approaches.. I really go all over the place with my approaches. You use Live, no?
A skipping CD of children's music, an old accordion with sticky keys, some subterranean drums and synth bass, a departing train. Hoping to achieve some kind of glitchy transcendence through the broken fragments.
For the upcoming Mobtown Modern show "Low Art" next Wednesday, Brian Sacawa will perform (among other pieces in the jumbo saxophone repertoire) "Maknongan" by Giacinto Scelsi (performed on bari sax). For the event, Brian asked me to create a remix…
This is one of several beat tracks for my new piece "Z-Land" for string orchestra, amplified string quartet, and DJ. The full piece will be performed by the Zeeland High School Orchestra (from Zeeland, MI) November 20 at the Baltimore City school…
This is one of several beat tracks for my new piece "Z-Land" for string orchestra, amplified string quartet, and DJ. The full piece will be performed by the Zeeland High School Orchestra (from Zeeland, MI) November 20 at the Baltimore City school…
For the upcoming Mobtown Modern show "Low Art" next Wednesday, Brian Sacawa will perform (among other pieces in the jumbo saxophone repertoire) "Maknongan" by Giacinto Scelsi (performed on bari sax). For the event, Brian asked me to create a remix…
A track created for a character called Rainy, on the North walk (entitled "Life Is Monumental") of "Charm City Remix", a site-specific narrative by Kianga Ford.
For the upcoming Mobtown Modern show "Low Art" next Wednesday, Brian Sacawa will perform (among other pieces in the jumbo saxophone repertoire) "Maknongan" by Giacinto Scelsi (performed on bari sax). For the event, Brian asked me to create a remix…
For the upcoming Mobtown Modern show "Low Art" next Wednesday, Brian Sacawa will perform (among other pieces in the jumbo saxophone repertoire) "Maknongan" by Giacinto Scelsi (performed on bari sax). For the event, Brian asked me to create a remix…
For the upcoming Mobtown Modern show "Low Art" next Wednesday, Brian Sacawa will perform (among other pieces in the jumbo saxophone repertoire) "Maknongan" by Giacinto Scelsi (performed on bari sax). For the event, Brian asked me to create a remix…
Interactive audio walking tour, a collaboration with artist Kianga Ford.
The Story of This Place is a series of site-specific narratives that offer a portable audio soundtrack that guides the listener through a site with a fictional narrative…
Memories of walking a coonhound in the small hours around the empty structures of Baltimore's Artscape festival before dawn- silent ferris wheel standing behind the rows of booths, vacant carnival installations on the Charles St Bridge. In this…
Memories of walking a coonhound in the small hours around the empty structures of Baltimore's Artscape festival before dawn- silent ferris wheel standing behind the rows of booths, vacant carnival installations on the Charles St Bridge. In this…
Memories of walking a coonhound in the small hours around the empty structures of Baltimore's Artscape festival before dawn- silent ferris wheel standing behind the rows of booths, vacant carnival installations on the Charles St Bridge. In this…
Narrative: A lonely scientist was stationed to Tundzha Glacier in Antarctica to study fissures.
Instrumentation: I stretched, repitched, and looped two sections…
great record crackle timbre at the beginning.
:45 to 1:10 is the high point for me.
sound gets distorted around 1:10- too much boost in the equalizer there.
like that beat sample around 1:30. would like too hear more of this juxtaposition, and continued cutting up of your main loop.
Welcome to my 300th Alonetone upload! I sit with a pile of books to read in a house full of boxes and my studio is not even completely set up; however, I had no choice but to write and record this tune today once the sun went down. This song is…
well its nearly there. I like to put stuff that I am working on up so that I can listen to it in passing for a day or so, it gives me the chance to hear it with new ears. And maybe get a little feedback/ suggestions. I need to finish the vocal…
Great reverb on those vocals- takes me back to my discovery of my parents' "Surrealistic Pillow" LP at age 7 or so. Love the switch up after the first minute, especially the high theremin-like synth line.
2:45 very nice too.
Welcome to my 300th Alonetone upload! I sit with a pile of books to read in a house full of boxes and my studio is not even completely set up; however, I had no choice but to write and record this tune today once the sun went down. This song is…
The song was constructed around a field recording of Lacandon men paddling across the lake in Métzabok, Chiapas (Southern Mexico). The Lacandon speak "Hach T'an," which is a Mayan dialect-- this is the language you hear in the track. Unfortunately…
This is my 12 hour song (written, recorded, mixed, mastered) ... I pined away all day at it while a storm kept me company.
instrumentation:
a man lost his house and sold me his fretless bass for next to nothing. a family friend gave me…
nice song. i'll have to come back and listen to more.
hey thanks for your comment.
i programmed the drum patterns for "Anniversary" from samples in Reason, added effects in that program as well.
very cool! i would prefer to hear real saxophones though. great texture and treatment of spoken text. the piece seems to end at about 3 and a half minutes. then surprise!
This song was written after moving into a new apartment. One of the movers put a coin in the door hinge to keep the door open so that he wouldn't have to bother me for keys. I thought it was so cool and smart and sleek and simple. I wanted him…
hey could i get an a cappella of this one here?
also i like your idea of building a new beat from chopping up samples of my "Baltimore Celebrates Obama Win" field recording.
MODERN MEDICINE DJ-Set
_____________________________________________
INSIDE:
(Emilie Simon, Kronos Quartet, Modern Medicine, NIN, The Columbus Academy Children's Choir, Beth Gibbons, Sneaker Pimps, Blue States, Vetiver etc.)
Disclaimer…
:21 the introduction of distorted guitar layer is awesome
maybe an alternate/contrasting pitched loop at around :32 would be good, to continue to build.
nice ending!
Comments on Erik Spangler's stuff
nice beat!
man, I'd love an album full of this stuff...
re: Hoping to achieve some kind of glitchy transcendence through the broken fragments. wow....nicely put.
What a wonderful concoction.
would be nice to hear the full piece too...
yeah! This is also great! Wish they performed this back when I was in high school!
This is awesome! All the varying timbres work perfectly together.. I'd be glad to explain some of my percussive approaches.. I really go all over the place with my approaches. You use Live, no?
Interesting track- really creative!
vncvn
http://www.reverbnation.com/alanpayne
This is great Erik, love it!
That's awesomely cool!
Forgot about this one... awesome work here.
Oh man that was great.
woah... the didgeridoo goes excellently.. love it!
Underground tunnels! Provocative stuff!
Love this.
What an awesome track, I love this.
oh yeah. this is good. I love the bowed stuff especially.
Yes, I can see it, you really set the scene well and it's beautifully played.
Comments made by Erik Spangler
fantastic sound.
great record crackle timbre at the beginning. :45 to 1:10 is the high point for me. sound gets distorted around 1:10- too much boost in the equalizer there. like that beat sample around 1:30. would like too hear more of this juxtaposition, and continued cutting up of your main loop.
love the rhythmic evolution at around :20 great light rail sound too.
gotta tell me about your drum production tricks some time. love the sound of the chorus, the bass and the breakdown. sweet.
hey, i was just writing a comment on "Imagine Us". then it disappeared as it moved on to this track. anyway, was really feeling that.
Great reverb on those vocals- takes me back to my discovery of my parents' "Surrealistic Pillow" LP at age 7 or so. Love the switch up after the first minute, especially the high theremin-like synth line. 2:45 very nice too.
Beautiful and brave. Your new ventures with vocals remind me a bit of RJD2's recent move in "The Third Hand"- except I think you have a better voice.
great morning music!
love the use of the field recording with the floating instrumental parts.
Yay, work from Sound I class on a glu mixtape! Great piece, Anna.
reminds me of j dilla. so nice with a glass of red wine.
gorgeous melodic layering, perfect garden of timbres.
nice song. i'll have to come back and listen to more. hey thanks for your comment. i programmed the drum patterns for "Anniversary" from samples in Reason, added effects in that program as well.
A soundtrack for the Twitter Generation ;) Very interesting evolution as it progresses.
very cool! i would prefer to hear real saxophones though. great texture and treatment of spoken text. the piece seems to end at about 3 and a half minutes. then surprise!
hey could i get an a cappella of this one here? also i like your idea of building a new beat from chopping up samples of my "Baltimore Celebrates Obama Win" field recording.
Hey would I be able to get an a cappella or two from you? Feel free to work with any of my beats up here as well. Thanks for listening!
gorgeous sampling, great beat. i love the little surprises you bring in while still maintaining the groove.
wow, this is fantastic. just keeps getting better.
:21 the introduction of distorted guitar layer is awesome maybe an alternate/contrasting pitched loop at around :32 would be good, to continue to build. nice ending!