It's not much of a life trapped inside a cocoon of your own making. Finale from "Dead In The Water" album. A longer track, but it's worth the time to fully digest.

A quick transitional piece - sort of a hybrid of ambient drone and louder rock.

Format Sea - Part Two Based on the age-old concept that a person is born anew every seven years. It's technically meant in terms of physiology - you develop all new bones/muscle/fat in a seven year period. I kind of add a spiritual/alien abduction…

Self-titled opening track from Dead In The Water. Part one of the Format Sea suite.

Another instrumental intended for Bethan..

A morning storm recorded in the courtyard and a musical motif written in the evening. combined time working-- 45 minutes, interrupted by a phone call from the parents to see if I was still alive.

Inspired partly by a co-worker who was a great, now lost musician. This track is somewhat about my five year stint in Gallup, New Mexico (Bob Dylan anyone?). This was written as a poem before I started writing Slumber Love.

This was supposed to be my "folky" track, but I love the way this turned out. It was originally written Napalm Shoot up but My Chair took it's place on that album.

This is one of the songs I wrote for Filthy Time that's been hiding in the back of a notebook waiting for music to be chugged out. I'm really glad I let this seep for a while before letting loose.

I Believe by far my most beautiful instrumental track, much the opposite of You Forgot Bush's War Crimes. Maybe because I haven't commited any? I'm growing to accept that most of the time, my instrumentals should be short and sweet.