200 tracks by Gary Fox

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The title track to my 2012 RPM Challenge album. The words say it all. I had some fun doing the 70's harmonies near the very end of the tune.
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It will all be ok, really.
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The title track to the new album. Turn it up. Listen all the way through and there's some ear candy at the end for you. ;)
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Get on your bellbottoms, and get out on the floor. There's more to the song than you realize, but just dance baby, just dance.
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Hello 1977! This song sounds like 1977 to me. So, I totally played it up, right down to the reverb on the vocals. Enjoy.
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Top Of The Pops circa 1972! Remember when all those bands in the early 70's where adding synth to every song but the lyrics meant something (sometimes)? Pure excitement, pure bubblegum, pure fun. Well, this is my offering and thanks to all of…
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Originally meant to sound more Hendrix-ey, this one informed me that acoustic was the way to start. As always, the song was right, I was wrong.
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Songs sometimes are best left to the listener. This is one of them.
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A brief glimpse, but that's all. Inspired by last April. It's for everyone, but no one in particular. Yes, this one gives more than a passing nod to Ham and Evans. Thanks gents!
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A little fun riff that came from noodling on my Epi whilst watching the idiot box one night. It's kind of written for a friend who is a little lost in a self-imposed exile from life.
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It's about a few folks, some known, some known to me. I liked the chunkiness of the chord that starts it, but wanted to do something a little more 'spacey' than a pure rock number. It's all true too.
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This song started as the riff on my Strat while fooling around with some FX. I knew it needed to be a big dance number, and then realized there is a great story about the power of music and dance, which I hid in the lyrics. See if you can figure…
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This one started as a the title line while driving in my car. All I had was the line and it's melody. I built the song around that about 6 months later. The lyrics are self explanatory.
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Matter Of Fate- This song started as a riff I was doing while tuning my guitar. It sounded cool, so I happened to record it on a small dictation recorder I have so I wouldn’t forget it. When I listened to the riff it just screamed Sticky Fingers…
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Figure Out- There are about 4-5 takes of this song, all different. The song started off in the key of D, but I couldn’t hit the notes in the chorus. I then tried it in A, but it was lacking drive and energy. I tried it in G, but I couldn’t get…
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This Lovin’ Cup- I was watching the idiot box and just holding my guitar when this little vamp on a B chord came out of nowhere. Using the same recorder, I recorded about 20 seconds of the riff. The lyrical idea came on the trip to Chicago, while…
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Love’s Standing- A good change up for the flow of the album, this one is vaguely, very vaguely, country-esque. That’s mainly because of the heavily reverbed slide underneath the acoustic in the verses. I love pounding the strings on the acoustic…
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Allelujiah-This was supposed to be a completely different song, but this one just wrote itself instead. It’s almost all first take, except for the bass, which took a while to get straight so that it wouldn’t overwhelm the song. It has this tone…
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Summer Grass- I didn’t originally intend for this to be the title track, but since most, though not all, of the songs on this album sound like summer to me, I decided, why not? The guitar even sounds humid and warm, but in that nice July way…
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Derivative- This one was not supposed to be on the album, but I changed my mind and worked on it. The reason for the intended omission was because the riff, which I have been playing with for a few months, just sounded so derivative of Dear Prudence…
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