Left over audio from "How to Glu" This one is about power and resistence.. which I find to be quite sexy when I think about it. Instrumentation: distorted and clean acoustic guitar, swords, tabla, synth, drum programming, clapping, vocals.

just finished this one, represents a slightly new direction i am taking i think. i am particuarly proud of the polyrhythmic sound i achieved. i was worried it mite become too cluttered (at the beginning) but i think i achieved clarity.

*totally rough absolutely no clue what to do with this. i figured if i released it, maybe it would garner some good ideas of how to continue the song and also just force me to have it on my mind in an attempt to motivate me to finish it.

Featuring Mark Treefrog on Hapi Drum

On a cold and lonely trip through hyperspace, our protagonist wonders whether he'll ever see the sunrise on Ganymede again. (All sounds produced acoustically!)

walking down the street in the 1973, you're wearing yellow tinted shades, and a hat with a feather in it. Your switchblade is in your pocket, but you're not gonna need to use it today. Cause the sun is shining and folks are eating ice cream…

Conga improvisation. 4/4 200bpm

It was a curious and wondrous thing. One night I was in my studio adding some percussion to the "Quiet Rituals" track by Barry van Oudtshoorn, when my 4 young children (with whom I was long over-due to be tucking into bed and reading a bed…

Ok, so I'm just a percussionist, and if your only tool is a hammer, the entire world looks like a nail. I get it. And I also get that our songs are our children, so we should be very careful about whom we let them play with. When I first heard…