Written and Recorded August 29, 2009 Details: Martin D1 (DADGAD - capo V), Shure SM57, Audacity, Sound Forge. Late night improvisation in remembrance of my father.

Recorded August 26, 2009 Details: Epiphone Les Paul (DADFGC - capo II), Seymour Duncan Pickups, POD XT, Boss RC-20 Looper, EBow, Audacity, Sound Forge. Written in 1982 after a trip to Wyoming with a couple of Alex DeGrassi cassettes....

Some experimentation that started with sandbags saying that he was looking for a wood sound. I responded with marimba plus monster reverb... and I quickly noodled together an ambient thing. I wondered aloud whether I was done or should continue…

A field recording of multiple boomboxes playing doctored field recordings of Baltimore's Inner Harbor, played back at the Inner Harbor.

Another experiment. The name comes from the fact that I was in the woods; not because I was really concerned about making woodsy sounds... Thanks again to glu and Chris McGrath for opening my eyes to some different Live tricks...

It's the "do no harm" mix. Because, theoretically you won't hear any difference between this and "technique 43". Which is sad really, given how many hours I spent on it. Hours spent on the oh-so-exciting put-everything-in-Logic step…

It's the "do no harm" mix. Because, theoretically you won't hear any difference between this and "technique 43". Which is sad really, given how many hours I spent on it. Hours spent on the oh-so-exciting put-everything-in-Logic step…

The song was constructed around a field recording of Lacandon men paddling across the lake in Métzabok, Chiapas (Southern Mexico). The Lacandon speak "Hach T'an," which is a Mayan dialect-- this is the language you hear in the track. Unfortunately…

This song was made by two different piano samples (both from Sudara): 1. One was recorded by Sudara (and gang?) axing away at a hapless old piano in New Mexico. 2. today, I convinced Sudara to noodle on the piano and send it over to me…

The song was constructed around a field recording of Lacandon men paddling across the lake in Métzabok, Chiapas (Southern Mexico). The Lacandon speak "Hach T'an," which is a Mayan dialect-- this is the language you hear in the track. Unfortunately…