Andrew Hendrickson

This sonata was written in the wake of the COVID pandemic from 2021 to 2023. Its movements express my feelings about the madness of it all. Our world is unjust and only getting more terrifying with each passing year. May we find a way to overcome…

This sonata was written in the wake of the COVID pandemic from 2021 to 2023. Its movements express my feelings about the madness of it all. Our world is unjust and only getting more terrifying with each passing year. May we find a way to overcome…

This sonata was written in the wake of the COVID pandemic from 2021 to 2023. Its movements express my feelings about the madness of it all. Our world is unjust and only getting more terrifying with each passing year. May we find a way to overcome…

This sonata was written in the wake of the COVID pandemic from 2021 to 2023. Its movements express my feelings about the madness of it all. Our world is unjust and only getting more terrifying with each passing year. May we find a way to overcome…

This is the last movement of my seventh piano sonata. This movement is in rondo form.

Not really playable, unless you put a player piano in a gym. It sounds cool anyway.

This is the first movement of my fifth piano sonata.

This is my arrangement of the classic organ piece attributed to Bach, for two pianos. It was done entirely by ear, so I changed many chords. It's part of my album, Analytic Continuation.

This is the first movement of my seventh piano sonata. It's part of my album Analytic Continuation.

This is the last movement of my seventh piano sonata. This movement is in rondo form.

Not really playable, unless you put a player piano in a gym. It sounds cool anyway.

This is the first movement of my seventh piano sonata. It's part of my album Analytic Continuation.

This is my arrangement of the classic organ piece attributed to Bach, for two pianos. It was done entirely by ear, so I changed many chords. It's part of my album, Analytic Continuation.

This is my arrangement of the classic organ piece attributed to Bach, for two pianos. It was done entirely by ear, so I changed many chords. It's part of my album, Analytic Continuation.