I put together a patch of 6 oscillators using frequencies 198, 210, 220, 228, 230 and 280. I recorded the piece interactively playing as I felt them by triggering. A previously recorded loop often playing in reverse was also used. Produced…

I put together a patch of 6 oscillators using frequencies 198, 210, 220, 228, 230 and 280. I recorded the piece interactively playing as I felt them by triggering. A previously recorded loop often playing in reverse was also used. Produced…

I put together a patch of 6 oscillators using frequencies 198, 210, 220, 228, 230 and 280. I recorded the piece interactively playing as I felt them by triggering. A previously recorded loop often playing in reverse was also used. Produced…

I put together a patch of 6 oscillators using frequencies 198, 210, 220, 228, 230 and 280. I recorded the piece interactively playing as I felt them by triggering. A previously recorded loop often playing in reverse was also used. Produced…

welcome to 2020 yawl

guitar, guitar, bass, drums, and T-Mobile.

a composition in 10 edo performed serially on an Linnstrument using 4 x uhe Brazille, sonicculture Morpheus and Bandlab Cakewalk Sonar (free) using Sonar’s drum replacer

An electro-acoustic piece played interactively and captured in Pure Data. Created in development of a current patch and for a Sound-In Event.

Source: Guitar

Source: Guitar