Twisted manipulation in Pure Data sampling and breaking up a 30min recording I did last year called Shiver. The patch samples an audio file somewhat randomly of which I was capturing the edit in another buffer.

Twisted manipulation in Pure Data sampling and breaking up a 30min recording I did last year called Shiver. The patch samples an audio file somewhat randomly of which I was capturing the edit in another buffer.

Digital Sea is an ambient generative music piece written in the Pure Data programming language. It is constantly changing, circulating, and flowing. The program written to record this piece is capable of generating a unique, endless performance…

Pure Data, 6 oscillators and a patch that grew from an envelope.

Pure Data, 6 oscillators and a patch that grew from an envelope.

prepared cigar box guitar

Pure Data piece created with interactive nanoKONTROL2 using 4 PD phaser objects essentially sawtooth waves and drum machine equivalent beat at 11bpm added in post. I credit YouTuber Andrew Brown/QCGInteractiveMusic with teaching me to create…

Cool envelope I found and tweaked over two oscillators being initialized with random frequencies 0-1400 hz. Built two loops into the patch and it's soup! Credit inspiration from Paris Young with reminding me about PD's randomizer object!

Inspired by fellow Sound-In composer Chris Vasvil and a piece he did this week based on the tuning of Dustin Schallert. I created a pitch around most of the frequencies, this was one of the improvisations.

Continuing to work with a tuning I was enlightened to by Chris Vaisvil, Porcupine tuning by Dustin Schallert. My platform is Pure Data and I created a patch with 12 oscillators, one per frequency of the Porcupine tuning, well except the last…