Movement To Contact's listening history
Recorded in Hawaii, acoustic guitar and early morning trades through the trees. Keyboards and Bass track added by my brother Greg in Durango Colorado. Took Tess's (Sister Savages) advice and removed the percussion!
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Deadlines, freeways, appointments, things to do lists, expectations, getting older, not enough hours in the day to get everything done? ..... make each day and moment count! Thanks to Dave Matthews for a lick I threw in there. Enjoy!
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Life is a quest for knowledge and a simple realization that not only is there so much we don't know but to declare it somehow is empowering. A great collaboration with Norm who is an amazing percussionist and a super cool guy! Thanks for the…
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A small taste of the '74 Twin Reverb. Blackfaced, master volume removed from circuit, two tubes pulled, old Celestion G12-80s (it wasn't me). Les Paul with excellent PAF-style pickups (A5 neck, A2 bridge), stock pots and caps but good parts nonetheless…
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"Working on a new style that's been in my mind for ages, learning to record in my kitchen, experimenting with the guitar and the amp ..." this is the kind of thing that Quill gets up to when he's not kept properly busy. Y'all are just lucky he…
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The salient lines in this traditional song, for me, are these:
"... and still I hold, / that the time will come / when he and I will be as one ..."
What need is expressed in this "holding"? Against what, does our singer hope? The resistance…
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The salient lines in this traditional song, for me, are these:
"... and still I hold, / that the time will come / when he and I will be as one ..."
What need is expressed in this "holding"? Against what, does our singer hope? The resistance…
Uploaded
(this track's a bit hot, mind it doesn't hurt your ears, please)
So many reasons for sorrow. One sees from within sorrow, and sees only sorrow. But we must look awry at these weeping walls, these streaking-blind windows: they are of our own…
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My improvisation project is getting interesting. The centre of this track is at 2:08, where the drums pick up a guitar phrase that begins at 2:03, and then take over the melodic line, while the guitar shifts position to background the drums. The…
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My improvisation project is getting interesting. The centre of this track is at 2:08, where the drums pick up a guitar phrase that begins at 2:03, and then take over the melodic line, while the guitar shifts position to background the drums. The…
Uploaded
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