abstract noises - o yeah abstract music: I hear there is no known market for these actual creations... then again I am not looking to market them I guess there is no need for you to read this as well it just makes you think the sounds that these…
abstract noises - o yeah abstract music: I hear there is no known market for these actual creations... then again I am not looking to market them I guess there is no need for you to read this as well it just makes you think the sounds that these…
it's an adventure into the unknown..what is round that corner?....reminds me of those halcyon days back in distant youth..when all the doors were open and the slate was clean and clear..............
abstract noises - o yeah abstract music: I hear there is no known market for these actual creations... then again I am not looking to market them I guess there is no need for you to read this as well it just makes you think the sounds that these…
so yeah abstract music: I hear there is no known market for these actual creations... then again I am not looking to market them I guess there is no need for you to read this as well it just makes you think the sounds that these letters create.. I could do a complete symphony with words controlling what sounds your brain is thinking, Don't worry about the off button it will sound like this. lala meme mama moe and you get to pick the chorus part as you go
//aside//
was this in the right place here?
I feel like I'm aloft and tumbling wildly across vistas of 80's virtual reality grids as I'm listening to this like Tron meets a bad case of sunstroke. Nice use of pitch.
I like all the little micro-textures, this pulls my attention in different directions simultaneously, but keeps moving forward as a whole... kind of a strange experience.
That's an amazing experience when you take the time with it. I'm glad I did.
Gets really intense around 20 minutes in. Great work.
Did you ever see that film Melancholia?
something in semi-performance mode on a real piano recorded at the meb(medical education building) in October the fifteenth or ides of October 2012 at eleven fifty three before lunch, I was actually reacting to the people walking by and sorta…
I used to play piano for long long hours in the practice rooms at the college. just play like that. thanks for the compliment Chris I could of went on much longer but had a session to go to.
something in semi-performance mode on a real piano recorded at the meb(medical education building) in October the fifteenth or ides of October 2012 at eleven fifty three before lunch, I was actually reacting to the people walking by and sorta…
this ambish stuff is from a few years before 2007 when it was transferred to dvd.. the piano is being played in reaction to the sounds in the background and the "looks" and gestures given by the med students there in their lounge.
something in semi-performance mode on a real piano recorded at the meb(medical education building) in October the fifteenth or ides of October 2012 at eleven fifty three before lunch, I was actually reacting to the people walking by and sorta…
thanks, Wrinkled shirt, as what part of the idea that is going on is to use the signal static as a tool for sound development...and then filter it some..
this is just too good I have to give the machine's all the credits I did little more then guide them thru this landscapes in timeless experiential effects. I will have the big video that was cut up and layered here before effects soon to see…
Duet piece recorded between a Eurorack modular synthesizer I built and a Behringer Model D (minimoog clone). Tons of reverb and delay for added effect.
great!! --- I like this so mellow and well mixed --- one of the curves of guitar changes.. reminds me of that early rolling stones songs "No Expectations" from "let it bleed" --- you probably can hear it too?
First of three pieces made from the same original material; short bursts of sound from a cheap harmonica. Nine of these bursts were selected from the original recording, each of slightly different length. Each was then time-stretched by the same…
cool experiment the stretching and time resolution are really important to the final sound the echoes seem separate from other things --- was thinking there should be no null points --- because of the echoes going on-- how does the interactions work?
Roland SE-02 through EHX Stereo Memory Man -> Zoom RFX-300. Title comes from a combination of the time length, and the fact that it was created for the current Sound-In for 1-7/1/2021.
Excellent greatness.. It is a song that brings me back to the effects in phase and out of phase blips and bliggies .. It's the squibbly bliggies that started to loose the phases that were happening when I knew a Roland was grooving... This reminds me of how I make sounds as well. Minute 10:35 it's like birds. At about 13 minutes in the aliens seem to check in..and then leave but returned at 14 minutes in.. Chipmunks at 17 minutes in are neat maybe more of that?? It's phasing in & out as it does all the way to the end.
excellent -- way out excellence --- I will have to adjust my temporal transvergence devices to new settings.. and allow these breaking rays of temporal light frequencies to be registered by them.
vocal, two 17 equal electric guitars, faux 17 edo bass, melodyne retuned 17 equal classical guitar, Alesis Nitro Mesh drums. and the usual effects and manipulations.
Exactly what are we ending like this?? It's a very tight performance you have created.. What seems good in both forward and reverse directions and safe at any bpm we can think of. I am hearing that mesmerizing sonic swirl going on.---ฯ§¥~~ is that a setting on one of the boxes being used???
just like this it is there... at the scream of insanity... open and exploding into infinite time on the threshold of losing touch and not holding - even to the the thresh --- threshold of anything,,.
This started its cosmic journey in a toy piano. Through several steps of processing it came to where it is now. Partly in dedication to the (at this moment) imminent Grand Conjunction of Jupiter and Saturn, and also in homage to the recently departed…
due to the sparsity of the soundscape here on this --- I am also playing --- the song Itza Hitt.. mmm I started it a little into this playing there is a possible mash going on--- but I have to hear the next two song variants before making a mash-
Comments on Newbold's stuff
Ewe this has a sinister after taste to it.
I like the static chaos placed against the more calm, flowing synth beneath.
enjoyed it man,dont mind about market,just create things like this
it's an adventure into the unknown..what is round that corner?....reminds me of those halcyon days back in distant youth..when all the doors were open and the slate was clean and clear..............
so yeah abstract music: I hear there is no known market for these actual creations... then again I am not looking to market them I guess there is no need for you to read this as well it just makes you think the sounds that these letters create.. I could do a complete symphony with words controlling what sounds your brain is thinking, Don't worry about the off button it will sound like this. lala meme mama moe and you get to pick the chorus part as you go //aside// was this in the right place here?
I feel like I'm aloft and tumbling wildly across vistas of 80's virtual reality grids as I'm listening to this like Tron meets a bad case of sunstroke. Nice use of pitch.
I like all the little micro-textures, this pulls my attention in different directions simultaneously, but keeps moving forward as a whole... kind of a strange experience.
Trippy, chaotic, bubbly, cosmic brew. Heady track... Hits the spot, I like it.
Great use of movement. It's almost more of a tangible thing than aural, if that makes any sense.
yep like nineteen min thirty seconds is where the intense stuff gets started.. :)
kind of space jam.good
That's an amazing experience when you take the time with it. I'm glad I did. Gets really intense around 20 minutes in. Great work. Did you ever see that film Melancholia?
it is like chewing at the sheets of rainbows looking for a way to the other side, when I am on the other side already.
I used to play piano for long long hours in the practice rooms at the college. just play like that. thanks for the compliment Chris I could of went on much longer but had a session to go to.
this ambish stuff is from a few years before 2007 when it was transferred to dvd.. the piano is being played in reaction to the sounds in the background and the "looks" and gestures given by the med students there in their lounge.
I've never heard you play something like this before - very nice!
liked you track a lot! Perreko
thanks, Wrinkled shirt, as what part of the idea that is going on is to use the signal static as a tool for sound development...and then filter it some..
In the state-OF-mind that I'm currently in, this sounds perfect. Deep.
this is... like being inside of a factory at night when the machines wake up and devise artifacts of their alien will.
Comments made by Newbold
it is a type of struk-ness that is contagious maybe-??
very mellow great sounds-
excellent work here-
great!! --- I like this so mellow and well mixed --- one of the curves of guitar changes.. reminds me of that early rolling stones songs "No Expectations" from "let it bleed" --- you probably can hear it too?
sweet slides and bendings of the improv here---
cool experiment the stretching and time resolution are really important to the final sound the echoes seem separate from other things --- was thinking there should be no null points --- because of the echoes going on-- how does the interactions work?
nice a Fripp type progressions in 17 edo greatness.
very nice...
Excellent greatness.. It is a song that brings me back to the effects in phase and out of phase blips and bliggies .. It's the squibbly bliggies that started to loose the phases that were happening when I knew a Roland was grooving... This reminds me of how I make sounds as well. Minute 10:35 it's like birds. At about 13 minutes in the aliens seem to check in..and then leave but returned at 14 minutes in.. Chipmunks at 17 minutes in are neat maybe more of that?? It's phasing in & out as it does all the way to the end.
excellent -- way out excellence --- I will have to adjust my temporal transvergence devices to new settings.. and allow these breaking rays of temporal light frequencies to be registered by them.
nice 0-0 the song makes a discernment of itself as well-
Exactly what are we ending like this?? It's a very tight performance you have created.. What seems good in both forward and reverse directions and safe at any bpm we can think of. I am hearing that mesmerizing sonic swirl going on.---ฯ§¥~~ is that a setting on one of the boxes being used???
great!! maybe one day they will make 17 tone african thumb Pianos --- but until then we can dream-
just like this it is there... at the scream of insanity... open and exploding into infinite time on the threshold of losing touch and not holding - even to the the thresh --- threshold of anything,,.
just great -0-
good-
I think these sounds seem so slippery between each other and sliding into and out of the song.--- great end to this song 🙂
I believe this is like critically important sounds --- so much excellence-
I believe you
due to the sparsity of the soundscape here on this --- I am also playing --- the song Itza Hitt.. mmm I started it a little into this playing there is a possible mash going on--- but I have to hear the next two song variants before making a mash-