sam wa fair is everywhere ahahahahah .. seriously did this as well last nite/this morning but... did this one first and the one before this second.. seems like today 12-(25-26)-2011
So after listening to some of Chris Vaisvil's music for mapped midi and such I caught the bug of inspiration and did similar but in my own way. should of included extra things but there was the on the fly idea going.
So after listening to some of Chris Vaisvil's music for mapped midi and such I caught the bug of inspiration and did similar but in my own way. should of included extra things but there was the on the fly idea going.
baby! This is great!! I suggest running the mp3 through Paul's Extreme Stretch too if youu haven't taken a listen. What this reminds me of is some of the odd ends and bits on Beatles albums I always wished was longer. In places it sounds backwards, other places an orchestra tuning up, other places a spaceship. Wow. man I'm floored - you really have a lot, I do mean a lot in two and a half minutes!! Check out Dan Stearns - http://homemademusic.com/daniel_stearns/info_237.php I think you'll like what he is doing.
Duet piece recorded between a Eurorack modular synthesizer I built and a Behringer Model D (minimoog clone). Tons of reverb and delay for added effect.
great!! --- I like this so mellow and well mixed --- one of the curves of guitar changes.. reminds me of that early rolling stones songs "No Expectations" from "let it bleed" --- you probably can hear it too?
First of three pieces made from the same original material; short bursts of sound from a cheap harmonica. Nine of these bursts were selected from the original recording, each of slightly different length. Each was then time-stretched by the same…
cool experiment the stretching and time resolution are really important to the final sound the echoes seem separate from other things --- was thinking there should be no null points --- because of the echoes going on-- how does the interactions work?
Roland SE-02 through EHX Stereo Memory Man -> Zoom RFX-300. Title comes from a combination of the time length, and the fact that it was created for the current Sound-In for 1-7/1/2021.
Excellent greatness.. It is a song that brings me back to the effects in phase and out of phase blips and bliggies .. It's the squibbly bliggies that started to loose the phases that were happening when I knew a Roland was grooving... This reminds me of how I make sounds as well. Minute 10:35 it's like birds. At about 13 minutes in the aliens seem to check in..and then leave but returned at 14 minutes in.. Chipmunks at 17 minutes in are neat maybe more of that?? It's phasing in & out as it does all the way to the end.
excellent -- way out excellence --- I will have to adjust my temporal transvergence devices to new settings.. and allow these breaking rays of temporal light frequencies to be registered by them.
vocal, two 17 equal electric guitars, faux 17 edo bass, melodyne retuned 17 equal classical guitar, Alesis Nitro Mesh drums. and the usual effects and manipulations.
Exactly what are we ending like this?? It's a very tight performance you have created.. What seems good in both forward and reverse directions and safe at any bpm we can think of. I am hearing that mesmerizing sonic swirl going on.---ฯ§¥~~ is that a setting on one of the boxes being used???
just like this it is there... at the scream of insanity... open and exploding into infinite time on the threshold of losing touch and not holding - even to the the thresh --- threshold of anything,,.
This started its cosmic journey in a toy piano. Through several steps of processing it came to where it is now. Partly in dedication to the (at this moment) imminent Grand Conjunction of Jupiter and Saturn, and also in homage to the recently departed…
due to the sparsity of the soundscape here on this --- I am also playing --- the song Itza Hitt.. mmm I started it a little into this playing there is a possible mash going on--- but I have to hear the next two song variants before making a mash-
Comments on Newbold's stuff
neospace
this sounds like a psychedelic grass cutting
Have to give the machine designers the credits here I was just playing
in that mood right now yeas !
I posted your video here http://www.reddit.com/r/videos/new/ I hope people watch it.
Wow! what visuals!!
very intense programmatic ambiance.
yeah breaking light this stuff was a kinda neat how it fit like that.
I mixed this in (accidentally) with Sunn O)))'s Black wedding at the 40 minute mark and had a real good time.
beet it on down the lime
I love that metallic sound!
The cello work is especially good.
Interesting sounds!
lets try that again.... http://tinyurl.com/79uwvro
baby! This is great!! I suggest running the mp3 through Paul's Extreme Stretch too if youu haven't taken a listen. What this reminds me of is some of the odd ends and bits on Beatles albums I always wished was longer. In places it sounds backwards, other places an orchestra tuning up, other places a spaceship. Wow. man I'm floored - you really have a lot, I do mean a lot in two and a half minutes!! Check out Dan Stearns - http://homemademusic.com/daniel_stearns/info_237.php I think you'll like what he is doing.
This mind f@#ck piece is full of good stuff:)
Fun is good:)
I like this too - though the added dimension of the previous is better
cool piece!
That was quite a trip!
Comments made by Newbold
it is a type of struk-ness that is contagious maybe-??
very mellow great sounds-
excellent work here-
great!! --- I like this so mellow and well mixed --- one of the curves of guitar changes.. reminds me of that early rolling stones songs "No Expectations" from "let it bleed" --- you probably can hear it too?
sweet slides and bendings of the improv here---
cool experiment the stretching and time resolution are really important to the final sound the echoes seem separate from other things --- was thinking there should be no null points --- because of the echoes going on-- how does the interactions work?
nice a Fripp type progressions in 17 edo greatness.
very nice...
Excellent greatness.. It is a song that brings me back to the effects in phase and out of phase blips and bliggies .. It's the squibbly bliggies that started to loose the phases that were happening when I knew a Roland was grooving... This reminds me of how I make sounds as well. Minute 10:35 it's like birds. At about 13 minutes in the aliens seem to check in..and then leave but returned at 14 minutes in.. Chipmunks at 17 minutes in are neat maybe more of that?? It's phasing in & out as it does all the way to the end.
excellent -- way out excellence --- I will have to adjust my temporal transvergence devices to new settings.. and allow these breaking rays of temporal light frequencies to be registered by them.
nice 0-0 the song makes a discernment of itself as well-
Exactly what are we ending like this?? It's a very tight performance you have created.. What seems good in both forward and reverse directions and safe at any bpm we can think of. I am hearing that mesmerizing sonic swirl going on.---ฯ§¥~~ is that a setting on one of the boxes being used???
great!! maybe one day they will make 17 tone african thumb Pianos --- but until then we can dream-
just like this it is there... at the scream of insanity... open and exploding into infinite time on the threshold of losing touch and not holding - even to the the thresh --- threshold of anything,,.
just great -0-
good-
I think these sounds seem so slippery between each other and sliding into and out of the song.--- great end to this song 🙂
I believe this is like critically important sounds --- so much excellence-
I believe you
due to the sparsity of the soundscape here on this --- I am also playing --- the song Itza Hitt.. mmm I started it a little into this playing there is a possible mash going on--- but I have to hear the next two song variants before making a mash-