consider this a microcosm of the final work that might just happen ,, yes a complete Klingon Orchestrated Opera :) (feeling shameful that it was Chris's idea first.) (this is a mire raw example of an outproduced work.>
long ago when there was a "guitar electric" in my presence I recorded this and edited it in cubase, back when I used cubase, old and somehow interesting?
I have that problem from time to time the wave form is there it just does not work ,,, a few days ago it happened to a whole song of mine really upset me because I liked the sounds I had made..
long ago when there was a "guitar electric" in my presence I recorded this and edited it in cubase, back when I used cubase, old and somehow interesting?
long ago when there was a "guitar electric" in my presence I recorded this and edited it in cubase, back when I used cubase, old and somehow interesting?
long ago when there was a "guitar electric" in my presence I recorded this and edited it in cubase, back when I used cubase, old and somehow interesting?
this is a mono/nonstereo track because my fourtrack recorded decided that mono is better then stereo but at least the dang thing works ,, I guess,, From now on it is direct records from the outside machine to the computer not thru the fourtrack…
if you use something as a midi controller there are a few VSTi software microtonal synthesizers that are free which makes it easier. Savihost - and other VSTi hosting software let you play microtonally - all you have to keep track of is how the extra (or less) notes translate to the normal keyboard.
This piece is crazy! How'd you do the drums?
As for mono/stereo - what you need is either a Y-cable with 1/4 male to 1/8 stereo (or collection of pieces that do that)
If you are still using Sonar I guess its lets of an issue - just record multiple tracks.
As she leaped into the crater and then falling for what took forever she ended in full possession of a controlled psychosis and she was rapidly loosing any kind of control to the silver pearls in a perilous discombobulated series of metapsionic…
this is a mono/nonstereo track because my fourtrack recorded decided that mono is better then stereo but at least the dang thing works ,, I guess,, From now on it is direct records from the outside machine to the computer not thru the fourtrack…
here the microkorg is the "lead" while the supernova II does the "undertones" I am trying to sync the two in post producion ,,, some of the stuff from yesterday is sync but I used buzz modular synthesis to do that.
very similar to the 'more of this a' but part 2
btw the video for todays' computer music work is getting uploaded now. all 25 min 25 sec and 25 frames there of.
As she leaped into the crater and then falling for what took forever she ended in full possession of a controlled psychosis and she was rapidly loosing any kind of control to the silver pearls in a perilous discombobulated series of metapsionic…
Looks like an odd game... 0.o Nah the Tabletop game I'm talking about is like Dungeons and Dragons, a Role play game. This is a post apcalyptic set roleplaying game.
As she leaped into the crater and then falling for what took forever she ended in full possession of a controlled psychosis and she was rapidly loosing any kind of control to the silver pearls in a perilous discombobulated series of metapsionic…
tell me about the game or a link or something this is an image of the current game I am at now..
http://i693.photobucket.com/albums/vv295/h92o/configure%202/PIC_1757.jpg
As she leaped into the crater and then falling for what took forever she ended in full possession of a controlled psychosis and she was rapidly loosing any kind of control to the silver pearls in a perilous discombobulated series of metapsionic…
I love the freaky start. with the synths coming in a slowly like that. Having a few rounds in there also break up this piece's repetition. This would make really awesome ambience for my Post apocalyptic Tabletop game.
I give this a 4/5.
For female voice and harp in Pythagorean tuning
IV
His soul stretched tight across the skies
That fade behind a city block,
Or trampled by insistent feet
At four and five and six oβclock;
And short square fingers stuffing pipes,
And…
Excellent thanks for taking time and making this happen.. βΊοΈ this is a most abstract poem like Candy dishes made from a car Axel's while hanging from circular rainbows spilling out of a glass of milk π₯...
Repetitive single notes... I have always loved.. and the dissonances just perfect.. I feel that dissonance on a piano πΉ is really good.. it's a kind of music I like more than a harmony and standard chords.. thanks for sharing this and playing.. wonderful π
Three different versions of a similar line created using the onboard sequencer on a Roland SE-02. the different voices were created by changing settings on a Casio DH-100 digital horn attached via MIDI, and playing the horn. Submitted to Sound…
I kinda think that there is a lot more to learn about playing a saxophone π· than what the Casio DH-100 would teach me.. although it was released in 1988 .. it's cool yours still works.. and quite well at that.. with a saxophone my problem is the wood reed buzzing that tickles my whole face.. I don't get that with my trombone.. but saxophones and clarinets the reed buzzing was very hard for me to make happen.. gosh I have over shared yet again lol π
I'm working on a series of new pieces for an electro-acoustic album. As this one is most are done using Pure Data as a somewhat compositional playing in the process. I'm capturing real time playing to loop tables and then laying them into an…
Pure data pd π€― just not easy to create compositions but once I started using maxy like I do I can see how much patience pd requires that I just didn't have.. I have now found touchdesigner it's only been out on the net since 2000 .. but I bet touchdesigner and pure data are able to talk in real time.. π with each other and I don't really know what that could mean for live performance.. ??
taking one song and using the audio frequency to modulate the frequencies of another song. then I play both songs mixed or mashed together then I go back and play the frequency modulations and the songs all together .,, totally mixed like that,..
Some new energy inspired this week by successfully making a USB host on a Raspberry Pi to be a new midi controller. Most of the voices on this layered piece that grew from a single melody were done with an 80's Yamaha TX81Z synth module. I relayered…
Two different tracks recorded one after the other, no effects, and placed together to fit in with this week's (30/11 - 7/12/2023) Sound-In theme of "Weirdly random". Left track is the one-string crutch, the right is a plain old Hohner C harmonica…
Comments on Newbold's stuff
I like it..why not he whole 'Klingon Orchestrated Opera'?
I have that problem from time to time the wave form is there it just does not work ,,, a few days ago it happened to a whole song of mine really upset me because I liked the sounds I had made..
Interesting stuff, but dead space after 22 min. so I left.
Cool, it's like an alien attack from an old sci-fi movie.
Nice one !!
nice tones!
It is good to get this out to the web finally :)
if you use something as a midi controller there are a few VSTi software microtonal synthesizers that are free which makes it easier. Savihost - and other VSTi hosting software let you play microtonally - all you have to keep track of is how the extra (or less) notes translate to the normal keyboard. This piece is crazy! How'd you do the drums? As for mono/stereo - what you need is either a Y-cable with 1/4 male to 1/8 stereo (or collection of pieces that do that) If you are still using Sonar I guess its lets of an issue - just record multiple tracks.
I'm finding this extremely eerie and disturbing!
Different sounds? i like this side....woha! You nailed it!
it sounds like it is descending and descending, but at the same time not moving at all. very freaky!
Absolutely!! I'm not good with videos....u would do more justice then me on the video:)
"buzz modular synthesis"- have no idea what that is, but sounds cool!
extreme caffeine rush
here the microkorg is the "lead" while the supernova II does the "undertones" I am trying to sync the two in post producion ,,, some of the stuff from yesterday is sync but I used buzz modular synthesis to do that.
I watched the whole video - I take it what was happening is that you layered video of you layering the sound? Very disorientating and interesting.
this is intense!! more microkorg?
Looks like an odd game... 0.o Nah the Tabletop game I'm talking about is like Dungeons and Dragons, a Role play game. This is a post apcalyptic set roleplaying game.
tell me about the game or a link or something this is an image of the current game I am at now.. http://i693.photobucket.com/albums/vv295/h92o/configure%202/PIC_1757.jpg
I love the freaky start. with the synths coming in a slowly like that. Having a few rounds in there also break up this piece's repetition. This would make really awesome ambience for my Post apocalyptic Tabletop game. I give this a 4/5.
Comments made by Newbold
Excellent groove and beat.. πͺ
Totally different song from the shower song it's hard to believe it is just a tempo change.. thanks..
Excellent thanks for taking time and making this happen.. βΊοΈ this is a most abstract poem like Candy dishes made from a car Axel's while hanging from circular rainbows spilling out of a glass of milk π₯...
I agree with Jim.. but more than ghostly some kind of robotics ghost haunting our ears and minds.. and yet not long enough to get us too scared π³
I can hear several Jerry Garcia riffs bouncing around in this one.
Repetitive single notes... I have always loved.. and the dissonances just perfect.. I feel that dissonance on a piano πΉ is really good.. it's a kind of music I like more than a harmony and standard chords.. thanks for sharing this and playing.. wonderful π
I like this idea π‘ you have here βΊοΈ
I kinda think that there is a lot more to learn about playing a saxophone π· than what the Casio DH-100 would teach me.. although it was released in 1988 .. it's cool yours still works.. and quite well at that.. with a saxophone my problem is the wood reed buzzing that tickles my whole face.. I don't get that with my trombone.. but saxophones and clarinets the reed buzzing was very hard for me to make happen.. gosh I have over shared yet again lol π
Pure data pd π€― just not easy to create compositions but once I started using maxy like I do I can see how much patience pd requires that I just didn't have.. I have now found touchdesigner it's only been out on the net since 2000 .. but I bet touchdesigner and pure data are able to talk in real time.. π with each other and I don't really know what that could mean for live performance.. ??
Beautiful π
Nice ππ
so very intense 000 OOO...
I like that it is a kind of fly buzzing ... LOL just on and on with the fly that won't die :) cool
I am feel some kind of power feeling going on just a repeated push to the next note ---
nice
Cool ππβοΈ
I must of spent hours and hours as a child playing harmonica,.. this is a really excellent mix
Nice perfectly nice πππ
nice mixing.
WOW. omg cool-