check the video I took the song and layered and stretched it with the video editor :) the video footage is the song being made real time the layered one third doubled atop the two thirds of the video with all the sounds included ..
Thanks for the listen acid....one of these days when i get some time, i need to come check out more of your stuff, i liked what i have heard so far.; )
made during a video record session to get some image work done while mixing sounds, these are like more accidental then anything else mixed on the "spot."
here this is a mix of effect thru just one patch not the eight i usually do but the one patch is mixed onto itself and altered in audacity :) the simple and single line of new minimal is downloaded here
http://www.notonlymusic.com/board/download…
third in the reworkings from july 2008 :) seems i did not get to upload some of even the originals to trax's in space at that time there is a block from my music list that is missing .. guessing i was doing two projects tandom and missed the second…
I feel as though I am on a merry go round that is next to a cage of psychedelic birds at the entrance to a tunnel that hold the flame of Anor. If only I could become liquid like Odo and pass between the birds I might find life on the other side. Then again maybe not.
as with anything that comes my way in an unexpected form the repercussion are endless here is a sample of some more second edits of old 2008 works that were in older versions of audacity but the files were still solid ,, what solid means at this…
this is the midi file called porcupine-22 feed thru my supernova II not sure where clones got the file or if that was one he made himself but I believe it was in the section of MIDI files to feed into the nova.. :) then the edits and the mixing…
this is the midi file called porcupine-22 feed thru my supernova II not sure where clones got the file or if that was one he made himself but I believe it was in the section of MIDI files to feed into the nova.. :) then the edits and the mixing…
software for the sound scape? audacity was in record constantly then the LMMS=0.4.7 because I have a bug in the LMMS=0.4.8 and had to roll back to the previous version the midi file used was something that Chris Vaisvil sent me to work with ,, the midi out went to the supernova II os 2.o where I changed the programed patch groupings every now and then ,, remixed everything in audacity then melted it down to mp3 form :) edit 2 will be going in to the original records and restructuring the whole thing ... :)
this is the midi file called porcupine-22 feed thru my supernova II not sure where clones got the file or if that was one he made himself but I believe it was in the section of MIDI files to feed into the nova.. :) then the edits and the mixing…
this is the midi file called porcupine-22 feed thru my supernova II not sure where clones got the file or if that was one he made himself but I believe it was in the section of MIDI files to feed into the nova.. :) then the edits and the mixing…
great energetic stuff full of tension and layers, nearly got lost here like drifting between multiple concerts in a festival. Still lokking for the holes though , in edit 2?? ;)
Repetitive single notes... I have always loved.. and the dissonances just perfect.. I feel that dissonance on a piano πΉ is really good.. it's a kind of music I like more than a harmony and standard chords.. thanks for sharing this and playing.. wonderful π
Three different versions of a similar line created using the onboard sequencer on a Roland SE-02. the different voices were created by changing settings on a Casio DH-100 digital horn attached via MIDI, and playing the horn. Submitted to Sound…
I kinda think that there is a lot more to learn about playing a saxophone π· than what the Casio DH-100 would teach me.. although it was released in 1988 .. it's cool yours still works.. and quite well at that.. with a saxophone my problem is the wood reed buzzing that tickles my whole face.. I don't get that with my trombone.. but saxophones and clarinets the reed buzzing was very hard for me to make happen.. gosh I have over shared yet again lol π
I'm working on a series of new pieces for an electro-acoustic album. As this one is most are done using Pure Data as a somewhat compositional playing in the process. I'm capturing real time playing to loop tables and then laying them into an…
Pure data pd π€― just not easy to create compositions but once I started using maxy like I do I can see how much patience pd requires that I just didn't have.. I have now found touchdesigner it's only been out on the net since 2000 .. but I bet touchdesigner and pure data are able to talk in real time.. π with each other and I don't really know what that could mean for live performance.. ??
taking one song and using the audio frequency to modulate the frequencies of another song. then I play both songs mixed or mashed together then I go back and play the frequency modulations and the songs all together .,, totally mixed like that,..
Some new energy inspired this week by successfully making a USB host on a Raspberry Pi to be a new midi controller. Most of the voices on this layered piece that grew from a single melody were done with an 80's Yamaha TX81Z synth module. I relayered…
Two different tracks recorded one after the other, no effects, and placed together to fit in with this week's (30/11 - 7/12/2023) Sound-In theme of "Weirdly random". Left track is the one-string crutch, the right is a plain old Hohner C harmonica…
Alone, alone, all, all alone,
Alone on a wide, wide sea!
And never a saint took pity on
My soul in agony.
The many men, so beautiful!
And they all dead did lie:
And a thousand thousand slimy things
Lived on; and so did I.
Comments on Newbold's stuff
thanks the more of this a was actually recorded first then this one was second... the video is in production with the layering effect
But i actually hear it, is the edge corrupt?
check the video I took the song and layered and stretched it with the video editor :) the video footage is the song being made real time the layered one third doubled atop the two thirds of the video with all the sounds included ..
alright!! new keys!!! This sounds excellent!
mmmmmm, very nice!
have to make more of these videos when there is the more powerful computer back from the shop :) ,,
Thanks for the listen acid....one of these days when i get some time, i need to come check out more of your stuff, i liked what i have heard so far.; )
little aprupt ending but nice!
I like this - it's very immersive. It sounds like it should be the score for some 2001-esque space movie.
Djeez, what a production... so hard to follow and keep track... nice drony piece again...
nice video effect!
cool sounding! you get so much out of your synth!
feelin fuzzy now thanks !
I feel as though I am on a merry go round that is next to a cage of psychedelic birds at the entrance to a tunnel that hold the flame of Anor. If only I could become liquid like Odo and pass between the birds I might find life on the other side. Then again maybe not.
cool. the sound @4:30 remembers me on the sound of "mission to mars" when they find the face.
nice sounds!
Thanks for the listens, glad you liked the tracks. ;)
software for the sound scape? audacity was in record constantly then the LMMS=0.4.7 because I have a bug in the LMMS=0.4.8 and had to roll back to the previous version the midi file used was something that Chris Vaisvil sent me to work with ,, the midi out went to the supernova II os 2.o where I changed the programed patch groupings every now and then ,, remixed everything in audacity then melted it down to mp3 form :) edit 2 will be going in to the original records and restructuring the whole thing ... :)
well that was the whole purpose: the encirclement of sound. I'm glad you liked it.
great energetic stuff full of tension and layers, nearly got lost here like drifting between multiple concerts in a festival. Still lokking for the holes though , in edit 2?? ;)
Comments made by Newbold
I agree with Jim.. but more than ghostly some kind of robotics ghost haunting our ears and minds.. and yet not long enough to get us too scared π³
I can hear several Jerry Garcia riffs bouncing around in this one.
Repetitive single notes... I have always loved.. and the dissonances just perfect.. I feel that dissonance on a piano πΉ is really good.. it's a kind of music I like more than a harmony and standard chords.. thanks for sharing this and playing.. wonderful π
I like this idea π‘ you have here βΊοΈ
I kinda think that there is a lot more to learn about playing a saxophone π· than what the Casio DH-100 would teach me.. although it was released in 1988 .. it's cool yours still works.. and quite well at that.. with a saxophone my problem is the wood reed buzzing that tickles my whole face.. I don't get that with my trombone.. but saxophones and clarinets the reed buzzing was very hard for me to make happen.. gosh I have over shared yet again lol π
Pure data pd π€― just not easy to create compositions but once I started using maxy like I do I can see how much patience pd requires that I just didn't have.. I have now found touchdesigner it's only been out on the net since 2000 .. but I bet touchdesigner and pure data are able to talk in real time.. π with each other and I don't really know what that could mean for live performance.. ??
Beautiful π
Nice ππ
so very intense 000 OOO...
I like that it is a kind of fly buzzing ... LOL just on and on with the fly that won't die :) cool
I am feel some kind of power feeling going on just a repeated push to the next note ---
nice
Cool ππβοΈ
I must of spent hours and hours as a child playing harmonica,.. this is a really excellent mix
Nice perfectly nice πππ
nice mixing.
WOW. omg cool-
good
Not used to a modular synth in a gathering of musicians like this it's really great π π ππππ₯πͺππΉπ π§Άπ§΅
Excellent scare .