third in the reworkings from july 2008 :) seems i did not get to upload some of even the originals to trax's in space at that time there is a block from my music list that is missing .. guessing i was doing two projects tandom and missed the second…
I feel as though I am on a merry go round that is next to a cage of psychedelic birds at the entrance to a tunnel that hold the flame of Anor. If only I could become liquid like Odo and pass between the birds I might find life on the other side. Then again maybe not.
as with anything that comes my way in an unexpected form the repercussion are endless here is a sample of some more second edits of old 2008 works that were in older versions of audacity but the files were still solid ,, what solid means at this…
this is the midi file called porcupine-22 feed thru my supernova II not sure where clones got the file or if that was one he made himself but I believe it was in the section of MIDI files to feed into the nova.. :) then the edits and the mixing…
this is the midi file called porcupine-22 feed thru my supernova II not sure where clones got the file or if that was one he made himself but I believe it was in the section of MIDI files to feed into the nova.. :) then the edits and the mixing…
software for the sound scape? audacity was in record constantly then the LMMS=0.4.7 because I have a bug in the LMMS=0.4.8 and had to roll back to the previous version the midi file used was something that Chris Vaisvil sent me to work with ,, the midi out went to the supernova II os 2.o where I changed the programed patch groupings every now and then ,, remixed everything in audacity then melted it down to mp3 form :) edit 2 will be going in to the original records and restructuring the whole thing ... :)
this is the midi file called porcupine-22 feed thru my supernova II not sure where clones got the file or if that was one he made himself but I believe it was in the section of MIDI files to feed into the nova.. :) then the edits and the mixing…
this is the midi file called porcupine-22 feed thru my supernova II not sure where clones got the file or if that was one he made himself but I believe it was in the section of MIDI files to feed into the nova.. :) then the edits and the mixing…
great energetic stuff full of tension and layers, nearly got lost here like drifting between multiple concerts in a festival. Still lokking for the holes though , in edit 2?? ;)
everyone has to suck 'something' at some point in their life right? If and when i do suck ,, I have lots of fun at it, ::mostly this stuff i put here is because others "get it" and if you don't then it does suck totally, but then you need not listen further because at that, it will all be like this.
thanks i will but I spend so much time doing the computer music thing I don't know I still have to buy a g-string for the guitar I broke that on my guitar a little while ago..i hate g-string comments they are really absurd but yes I will be back on the guitar once the g-string is replaced :)
this is close to the end of the musix i was writing/recording as my terabyte was going down due to a bad processor fan that would cause the machine to crash and eventually cost all the memory on the drive to be lost meaning 600 gig of information…
this gets mixed into thoughts and back thoughts but here it is by itself, and right now I am listening to it, and @ about minute five something happens ;o nothing big just a mellow thing there as well. We, Me errrrr I am trying to cut the size…
gone into the supernova again, it really is fun but this is it for now till say tonight again, or so. Ahhh there are beats too what am er was I thinking just then?
gone into the supernova again, it really is fun but this is it for now till say tonight again, or so. Ahhh there are beats too what am er was I thinking just then?
this must of been an out-take from the verbal sinks work sorta lifted out of the part four of that series the other day and this was a second thought for the work. It is interesting but short.
this must of been an out-take from the verbal sinks work sorta lifted out of the part four of that series the other day and this was a second thought for the work. It is interesting but short.
just titled it right now. there is a really mellowness to it almost dark mellow but not exactly. created as an out in cubase back in 2005 or 2006 when I was doing the cubase thing. Oh the reason I dropped cubase was it's inability to upgrade…
remembers back in 1993? when I saw kurt do this.. don't make me repeat the tale about how I was one person away from him in the mosh pit, and he spit on me. LOL - I had to of talked about that someplace on the net..
thanks sister and Chris
@vaisvil I have them connected right now just they only work like that when they are interfaced with a midi program on the computer, otherwise they ignore one another. ?
this is a minor excerpt from a tape I made I am guessing that I had not uploaded this here yet but I could of at the other eee account that is now outdated. the longer full and remixed version will be uploaded soon.
this is a minor excerpt from a tape I made I am guessing that I had not uploaded this here yet but I could of at the other eee account that is now outdated. the longer full and remixed version will be uploaded soon.
ahhhhh I hear that now will fix that even though it is a single channel out .. I had mixed the channels and this was the right side selection post mix.
Here's a "live" thing, if it can be called that, if one performs in a public place and there's no audience, can you call it "live"...?
If you'd like to hear the rest of the set, go here:
http://soundcloud.com/breaking-light/sets/no-audience…
consider this a microcosm of the final work that might just happen ,, yes a complete Klingon Orchestrated Opera :) (feeling shameful that it was Chris's idea first.) (this is a mire raw example of an outproduced work.>
long ago when there was a "guitar electric" in my presence I recorded this and edited it in cubase, back when I used cubase, old and somehow interesting?
I have that problem from time to time the wave form is there it just does not work ,,, a few days ago it happened to a whole song of mine really upset me because I liked the sounds I had made..
Artist's description:
Music composed by Chris Vaisvil, Mike Barry, lyrics Chris Vaisvil. This was performed live and recorded on a reel to reel in a basement. Its over 20 minutes at 64kbps. Two electric guitars, keyboards, and drums. Our contribution…
long ago when there was a "guitar electric" in my presence I recorded this and edited it in cubase, back when I used cubase, old and somehow interesting?
This an improvisation in 17 notes per octave with layered software synthesizers. Specifically, various percussion ensembles, french horn, piano, and two synthesizers. At one point I forgot what in the world I was doing because I transposed the…
has the idea of a triad or circle of 9's possible here at 17 note octaves? (sorry about the difficult question but I don't have the direct control of 17 notes in equal temper right now.)
This an improvisation in 17 notes per octave with layered software synthesizers. Specifically, various percussion ensembles, french horn, piano, and two synthesizers. At one point I forgot what in the world I was doing because I transposed the…
are you mixing microtonal and macrotonals together? seems as if certain layers are tonal. like you are saying it might be better if the alien effects are continued.
here the microkorg is the "lead" while the supernova II does the "undertones" I am trying to sync the two in post producion ,,, some of the stuff from yesterday is sync but I used buzz modular synthesis to do that.
Comments on Newbold's stuff
I feel as though I am on a merry go round that is next to a cage of psychedelic birds at the entrance to a tunnel that hold the flame of Anor. If only I could become liquid like Odo and pass between the birds I might find life on the other side. Then again maybe not.
cool. the sound @4:30 remembers me on the sound of "mission to mars" when they find the face.
nice sounds!
Thanks for the listens, glad you liked the tracks. ;)
software for the sound scape? audacity was in record constantly then the LMMS=0.4.7 because I have a bug in the LMMS=0.4.8 and had to roll back to the previous version the midi file used was something that Chris Vaisvil sent me to work with ,, the midi out went to the supernova II os 2.o where I changed the programed patch groupings every now and then ,, remixed everything in audacity then melted it down to mp3 form :) edit 2 will be going in to the original records and restructuring the whole thing ... :)
well that was the whole purpose: the encirclement of sound. I'm glad you liked it.
great energetic stuff full of tension and layers, nearly got lost here like drifting between multiple concerts in a festival. Still lokking for the holes though , in edit 2?? ;)
everyone has to suck 'something' at some point in their life right? If and when i do suck ,, I have lots of fun at it, ::mostly this stuff i put here is because others "get it" and if you don't then it does suck totally, but then you need not listen further because at that, it will all be like this.
soo much great experimental stuff here on AT.... here another fine noisy example...
Fun stuff.
cool sounds!
computer music- good for me bro:)
thanks i will but I spend so much time doing the computer music thing I don't know I still have to buy a g-string for the guitar I broke that on my guitar a little while ago..i hate g-string comments they are really absurd but yes I will be back on the guitar once the g-string is replaced :)
I didn't understand anything you said in your comments
ahhhh minute 4:18 the next note comes in :)
this would be the best so far the other things I was working on this morning have passed their prime for now.
I stumbled across this and I'm glad I did.
Heavy darts on a drumstick.....ssss
fuck dogg. almost blasted my ear drums. but fine shit tho.
muy FN Bien! beautiful Sci-fi magick sounds.
Comments made by Newbold
thanks It was really fun too to make them. :)
remembers back in 1993? when I saw kurt do this.. don't make me repeat the tale about how I was one person away from him in the mosh pit, and he spit on me. LOL - I had to of talked about that someplace on the net..
sure!! I would love to hear what you can do with this. :)
thanks sister and Chris @vaisvil I have them connected right now just they only work like that when they are interfaced with a midi program on the computer, otherwise they ignore one another. ?
it is like playing to random computer musical notes. very well done.
centered :)
ahhhhh I hear that now will fix that even though it is a single channel out .. I had mixed the channels and this was the right side selection post mix.
This is slick duck stuff on that side of the cosmic static charges.
pretty very what it is. more what is that screeching?(love-it)more more screeching.
neat sweet something here just so effected it is bliss. sigh => more?
this leaves glitch itching ,,
gets pen ready to outline the opera's conceptual structures in skeleton form. yes pen is better then computer keyboard sometimes ,, don't know why.
As an experienced user I can find no other way to describe these mysteries. *channels more power through the broken lights to you*
soo sooooo cool:; this stuff is like very very real at times.
I have that problem from time to time the wave form is there it just does not work ,,, a few days ago it happened to a whole song of mine really upset me because I liked the sounds I had made..
reminds me of a mixture of such a variety of songs.
It is good to get this out to the web finally :)
has the idea of a triad or circle of 9's possible here at 17 note octaves? (sorry about the difficult question but I don't have the direct control of 17 notes in equal temper right now.)
are you mixing microtonal and macrotonals together? seems as if certain layers are tonal. like you are saying it might be better if the alien effects are continued.
here the microkorg is the "lead" while the supernova II does the "undertones" I am trying to sync the two in post producion ,,, some of the stuff from yesterday is sync but I used buzz modular synthesis to do that.